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Letras y figuras (Spanish, "letters and figures") is a genre of painting pioneered by José Honorato Lozano during the Spanish colonial period in the Philippines. The art form is distinguished by the depiction of letters of the alphabet using a genre of painting that contoured shapes of human figures, animals, plants, and other objects called ...
Juan Luna de San Pedro y Novicio Ancheta (Spanish: [ˈxwan ˈluna], Tagalog: [hwɐn ˈluna]; October 23, 1857 – December 7, 1899) was a Filipino painter, sculptor and a political activist of the Philippine Revolution during the late 19th century.
Félix Resurrección Hidalgo y Padilla (February 21, 1855 – March 13, 1913) was a Filipino artist. He is acknowledged as one of the greatest Filipino painters of the late 19th century, and is significant in Philippine history for having been an acquaintance and inspiration for members of the Philippine reform movement which included José Rizal, Marcelo del Pilar, Mariano Ponce, and Graciano ...
The University of Santo Tomas Museum owns one of Asuncion’s paintings, dated February 1862. An unsigned portrait of Fr. Melchor Garcia de Sampedro at the UST Museum is said to be the work of Asuncion. Most of his other works are kept as national treasures at the Central Bank of the Philippines and the Philippines Museum.
From 1593 to 1800, most literature in the Philippines consisted of Spanish-language religious works; examples are Doctrina Christiana (1593) [255] and a Tagalog rendition of the Pasyon (1704). [256] Colonial literature was also written in native languages, primarily religious and governmental works promoting colonialism. [252]
Compared to the more rigid literature of the Spanish era, the American period saw the popularity of the "free verse" in the Philippines, allowing for flexible poetry, prose, and other wordcraft. [2] The introduction of the English language was also of equal importance, as it became one of the most common languages that Filipino writers would ...
España y Filipinas (“Spain and the Philippines") is a series of oil on wood paintings [1] [2] by Filipino painter, Ilustrado, and revolutionary activist, Juan Luna.It is an allegorical depiction [3] of two women together, one a representation of Spain and the other of the Philippines. [4]
The Junta of the Philippines, or Sessions of the Junta of the Royal Company of the Philippines (Spanish: Junta de la Compañía de Filipinas) is an oil-on-canvas painting, c. 1815, by the Spanish artist Francisco Goya held by the Goya Museum located in Castres. The work is the largest Goya produced. [1]