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Jade Kettles writing in the Dundee University Review of the Arts says "Spark's concision and wit throughout her writing are shown prominently through the character of Harvey, whose dry sense of humour while being interrogated by the police and media makes for an amusing read.
Spark left the Poetry Review in 1948. [15] In 1953 Muriel Spark was baptized in the Church of England but in 1954 she decided to join the Roman Catholic Church , which she considered crucial in her development toward becoming a novelist.
The Poetry Review is the magazine of The Poetry Society, edited by the poet Wayne Holloway-Smith. Founded in 1912, shortly after the establishment of the Society, previous editors have included poets Muriel Spark, Adrian Henri, Andrew Motion and Maurice Riordan.
The Driver's Seat is a novella by Muriel Spark. Published in 1970, it was advertised as "a metaphysical shocker". It is in the psychological thriller genre, dealing with themes of alienation, isolation and loss of spiritual values. It was made into a film in 1974 starring Elizabeth Taylor and featuring Andy Warhol.
That review concluded "Muriel Spark is the first writer to demonstrate that Watergate and its attendant immoralities are materials not of tragedy, but of farce". [3] "The short dirk in the hands of Muriel Spark has always been a deadly weapon,... [and] never more so than in The Abbess of Crewe." - The New York Times. [4] "Delicious" - Newsweek ...
Writing in The New York Times, Robert Plunkett declared that A Far Cry from Kensington was Muriel Spark's "most delightful novel in years", writing "the best way to convey the pleasure this novel gives is to compare it to a wonderful old Alec Guinness movie, something along the lines of The Lavender Hill Mob. True, it follows the rules of art ...
The Prime of Miss Jean Brodie is a novel by Muriel Spark, the best known of her works. [1] It was first published in The New Yorker magazine and was published as a book by Macmillan in 1961. The character of Miss Jean Brodie brought Spark international fame and brought her into the first rank of contemporary Scottish literature.
Edmund White in The New York Times was very positive, writing, "Once in a while a book comes along that is beautifully put together and effortlessly entertaining; Muriel Spark's Territorial Rights is such a novel. To declare it a great book would be to burden it with an ambition it has lightly rejected, but it is the sort of elegant diversion ...
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