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The clouds ye so much dread Are big with mercy, and shall break In blessings on your head. Judge not the Lord by feeble sense, But trust him for his grace; Behind a frowning providence, He hides a smiling face. His purposes will ripen fast, Unfolding ev'ry hour; The bud may have a bitter taste,
Not even the parallelismus membrorum is an absolutely certain indication of ancient Hebrew poetry. This "parallelism" occurs in the portions of the Hebrew Bible that are at the same time marked frequently by the so-called dialectus poetica; it consists in a remarkable correspondence in the ideas expressed in two successive units (hemistiches, verses, strophes, or larger units); for example ...
"Because I could not stop for Death" is a lyrical poem by Emily Dickinson first published posthumously in Poems: Series 1 in 1890. Dickinson's work was never authorized to be published, so it is unknown whether "Because I could not stop for Death" was completed or "abandoned". [1] The speaker of Dickinson's poem meets personified Death. Death ...
Phrases in the poem have been adopted as the title in a variety of media. The words "things fall apart" in the third line are alluded to by Chinua Achebe in his novel Things Fall Apart (1958), [1] The Roots in their album Things Fall Apart (1999), [15] and Jon Ronson in his podcast series Things Fell Apart (2021). [16]
Carolyn Carty also claims to have written the poem in 1963 when she was six years old based on an earlier work by her great-great aunt, a Sunday school teacher. She is known to be a hostile contender of the "Footprints" poem and declines to be interviewed about it, although she writes letters to those who write about the poem online. [1]
The poem is an ode, and its subject is the pursuit of the human soul by God's love - a theme also found in the devotional poetry of George Herbert and Henry Vaughan. Moody and Lovett point out that Thompson's use of free and varied line lengths and irregular rhythms reflect the panicked retreat of the soul, while the structured, often recurring refrain suggests the inexorable pursuit as it ...
The prophet so transports himself in imagination into the future that he describes the future event as if it had been already seen or heard by him, e.g. Is 5:13 ...; 19:7, Jb 5:20, 2 Ch 20:37. Not infrequently the imperfect interchanges with such perfects either in the parallel member or further on in the narrative."
A fragmentary copy of the first edition of The Day of Doom, held at Houghton Library, Harvard University "The Day of Doom: or, A Poetical Description of the Great and Last Judgment" [1] is a religious poem by clergyman Michael Wigglesworth that became a best-selling classic in Puritan New England for a century after it was published in 1662 by Samuel Green and Marmaduke Johnson.