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"The Teddy Bears' Picnic" is a song consisting of a melody written in 1907 by American composer John Walter Bratton, and lyrics added in 1932 by Irish songwriter Jimmy Kennedy. It remains popular in Ireland and the United Kingdom as a children's song, having been recorded by numerous artists over the decades.
Bing Crosby sang a version for his Chesterfield radio show on 5 April 1950 which has since been released on CD. [4] Joe Loss and his Orchestra recorded a version in London on 6 March 1950. It was released by EMI on the His Master's Voice label as catalogue numbers BD 6065, IM 1476 and HE 2793. Peggy Lee included the song on her 1958 album Jump ...
Lydia Lunch released her version of the song on her 1980 album Queen of Siam. The lyrics are addressed to "a spooky little boy". Another gender-flipped version was recorded by Martha Reeves and released on the album In the Midnight Hour in 1986. In this version, the line "spooky little girl like you" is changed to "spooky old lady like me".
"Stormy" is a hit song by the Classics IV released on their LP Mamas and Papas/Soul Train in 1968. It entered Billboard Magazine October 26, 1968, peaking at #5 [4] on the Billboard Hot 100 and #26 Easy Listening. [5] The final line of the chorus has the singer pleading to the girl: "Bring back that sunny day."
Woods's first songwriting success came in 1923 with the song "I'm Goin' South", written with Abner Silver. It became a hit song in 1924 for Al Jolson. The same year, "Paddlin' Madelin Home" was published, with words and music by Woods. With Mort Dixon and Billy Rose, Woods composed "I Wish't I Was in Peoria", now a Dixieland jazz standard, in 1925.
Corbin Beckner Smidzik (born February 20, 1998), known mononymously as Corbin (FKA Spooky Black and Lil Spook) [3] is an American R&B singer, songwriter, and record producer. He was a member of the hip hop / R&B collective Thestand4rd .
"Spooky, Scary Skeletons" is a Halloween song by American musician Andrew Gold, first released on his 1996 album Halloween Howls: Fun & Scary Music. [2] Since the 2010s, the song has received a resurgence in popularity online as an Internet meme. [2] [3] In 2013, The Living Tombstone created a dubstep remix of the song.
Written in 1927 by Mort Dixon (lyrics) and Harry M. Woods (music), the song became a success that same year with the release of recordings by Nick Lucas, Ben Bernie, and Jean Goldkette. The song was then revived during 1948 by several artists, most notably Art Mooney, [1] whose recording topped the charts for three weeks.