Search results
Results from the WOW.Com Content Network
Slugs, also referred to as Slugs: The Movie (Spanish: Slugs, Muerte Viscosa, lit. "Slugs, Slimy Death") is a 1988 English-language Spanish natural horror film directed by Juan Piquer Simon , and co-written by Simon with Ron Gantman.
At the site, the group encounters the abandoned truck of a forest ranger, the ranger's hat, and an alien spacecraft that resembles a camping trailer; a large, slow-moving, slug-like creature had earlier emerged from the craft and departed prior to the group's arrival. Believing the absent ranger might be inside, Ben enters the craft by crawling ...
Elizabeth Kaitan [7] as Donna; Artur Cybulski as Bill; Jack Starrett as Doctor; Robert Tessier [8] as Stanley; Brian Thompson [9] as Dean; Tom Dugan as Wendall; Gayle Vance [10] as Fruit Stand Lady; John Hayden as Fruit Stand Boy; Jared Coulter as Ghost Boy; Kazuko Ohashi as Slug Girl #1; Elizabeth Hegyes as Slug Girl #2; Joanne House as Title ...
Junji Ito (Japanese: 伊藤 潤二, Hepburn: Itō Junji, born July 31, 1963) is a Japanese horror manga artist.Some of his most notable works include Tomie, a series chronicling an immortal girl who drives her stricken admirers to madness; Uzumaki, a three-volume series about a town cursed by spirals; and Gyo, a two-volume story in which fish are controlled by a strain of sentient bacteria ...
The slugs dance on a title saying "No slugs were a-salted during the making of this film." Night at the Museum: Cecil, Gus & Reginald mop the floor. Then a minute later, they dance. Happily N'ever After: The Wicked Step Mother is in the Antarctic with a pair of elephant seals. Unakkum Enakkum: In a mid-credits scene, Santhosh and Kavitha are ...
This is a sortable list of comedy horror (or horror comedy) films, [1] [2] [3] this subgenre being a bundling of the two genres in which "horror-comedy places an emphasis on scares, while the comedy-horror film moves that emphasis into the realm of laughs."
The American independent film, prior to the 1980s and first half of the 1990s, [19] [20] [11] was previously associated with race films, [21] Poverty Row b movies (e.g. Republic Pictures [22]), exploitation films, avant-garde underground cinema (when it was known as the New American Cinema [23]), social and political documentaries, experimental animated shorts (since the mid-1930s featuring ...
The Los Angeles Times said the film "comes out emphatically in support of a woman's right to terminate a pregnancy, if not in all instances, at least in cases of rape by a gooey 9-foot-tall mutant ... the only way to enjoy this [film] ... is to savor star George Kennedy's badly synced post-production dialogue and think back to his role in the ...