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"Everybody Wants to Go to Heaven" is a country music song co-written by American songwriters Jim Collins and Marty Dodson. The song was initially to have been recorded by George Strait for his 2008 album Troubadour, but after Strait decided not to include the song on this album, it was recorded by Kenny Chesney instead. Released in August 2008 ...
The song is told through the eyes of a promiscuous young man who has had many sexual experiences, and plays upon the double-meaning of the word "heaven." He first recalls his baptism and how the preacher asked the protagonist (then a young boy), "Do you want to go to Heaven," referring to the religious concept of the afterlife (where good people go after their death).
Hymns is the fifth solo studio album and first Gospel album by American country music singer-songwriter Loretta Lynn. It was released on November 15, 1965, by Decca Records. [1] The album consists of 12 gospel and inspirational songs that were either popular over the years or were written by Lynn for this album.
"Old Man & Me (When I Get to Heaven)" is a song by American rock group Hootie & the Blowfish. It was released in April 1996 as the lead single from their second album, Fairweather Johnson . In the United States, it peaked at number 13 on the Billboard Hot 100 , number 18 on the Billboard Adult Contemporary chart, and number six on the Billboard ...
"If You Wanna Get To Heaven" is a single by the Ozark Mountain Daredevils from their 1973 album The Ozark Mountain Daredevils. This was the band's debut single and also the first of their two Top 40 hits reaching #25 on the Billboard Hot 100. [3] The song sold about 500,000 copies. [4]
Jerry Wayne Gillespie (born Decatur, Alabama) is an American country songwriter.He co-wrote "Do You Love as Good as You Look", a #1 song in 1981 for The Bellamy Brothers [1] and wrote "Heaven's Just a Sin Away", a #1 country hit in 1977 for The Kendalls.
Dia Dipasupil/Getty Images Before The Tortured Poets Department was ever a glimmer in Taylor Swift’s eye, the singer peppered her music with references to classic literature. As early as 2006 ...
Rather, Tillman's contribution was that he culturally appropriated the song into the repertoire of white southerners, whose music was derived from gospel, a style that was a distinct influence on Buddy Holly and Elvis Presley. As published by Tillman, the song contains verses not found in Pike's 1873 version.