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Pachelbel's Canon (also known as Canon in D, P 37) is an accompanied canon by the German Baroque composer Johann Pachelbel. The canon was originally scored for three violins and basso continuo and paired with a gigue, known as Canon and Gigue for 3 violins and basso continuo. Both movements are in the key of D major.
Suzannah Clark, a music professor at Harvard, connected the piece's resurgence in popularity to the harmonic structure, a common pattern similar to the romanesca.The harmonies are complex, but combine into a pattern that is easily understood by the listener with the help of the canon format, a style in which the melody is staggered across multiple voices (as in "Three Blind Mice"). [1]
Cello Concerto No. 1 in G major; Cello Concerto No. 2 in A major; Cello Concerto No. 3 in C major; Cello Concerto No. 4 in C (from c. 1777) Patric Standford. Cello Concerto (1974) Charles Villiers Stanford. Cello Concerto in D minor (1879/1880) Irish Rhapsody No. 3 (1913) Robert Starer. Cello Concerto (1988) Johannes Maria Staud. Segue (2006 ...
In the Baroque period, D major was regarded as "the key of glory"; [2] hence many trumpet concertos were in D major, such as those by Johann Friedrich Fasch, Gross, Molter (No. 2), Leopold Mozart, Telemann (No. 2), and Giuseppe Torelli. Many trumpet sonatas were in D major, too, such as those by Corelli, Petronio Franceschini, Purcell, and
Adagio, from Violin Concerto no. 2, BWV 1042 (arr. J. Harnoy) Air, from Suite in D major (trans. Ernst-Thilo Kalke) Arioso, from Cantata no. 156 (arr. M.J.Isaac) Six Schübler Chorales, BWV 645-650 (trans. Raphael Wallfisch and Colm Carey) Siegfried Barchet Schmerzliches Adagio für Violoncello und Orgel; Alfred Baum
Piano Suite No. 2 (Enescu) Piano Trio in D major (Sibelius) Piano Trio No. 38 (Haydn) Piano Trios, Op. 70 (Beethoven) Polonaise de Concert, Op. 4 (Wieniawski) Pomp and Circumstance Marches; Prelude and Fugue in D major, BWV 532; Prelude and Fugue in D major, BWV 874; Prelude in D major (Rachmaninoff) Prelude No. 5 (Villa-Lobos)
In addition to these, he wrote several other works for string quartet which were not published. The most notable was his early String Quartet in D major (1897). There was also a Presto in C major (c. 1895), [1] a Scherzo in F major (1897), [2] and later a Four-part Mirror Canon in A major (c. 1933). [3]
Toggle Chamber music subsection. ... Cello Sonata in D Major, Op. 17; Romance for Cello and Piano, Op. 24/1 ... Canon for 2 violins and Piano, Op. 38;
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related to: song canon in d major cello 1 2