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High-resolution audio (high-definition audio or HD audio) is a term for audio files with greater than 44.1 kHz sample rate or higher than 16-bit audio bit depth. It commonly refers to 96 or 192 kHz sample rates. However, 44.1 kHz/24-bit, 48 kHz/24-bit and 88.2 kHz/24-bit recordings also exist that are labeled HD audio.
Recommended dither for 16-bit digital audio measured using ITU-R 468 noise weighting is about 66 dB below alignment level, or 84 dB below digital full scale, which is comparable to the microphone and room noise level, and hence of little consequence in 16-bit audio. 24-bit and 32-bit audio does not require dithering, as the noise level of the ...
DTS-HD MA can store up to 8 discrete channels of audio (7.1 surround) at up to a 24 bit sample depth and 192 kHz sampling frequency (96 kHz for 6.1 or 7.1 surround). [2] Although DTS-HD MA, and the related DTS-HD, allow virtually any number of channels in the abstract, [ 3 ] these limits are imposed for practical reasons of limited storage and ...
Sample rate Bit rate Latency CBR VBR Stereo Multichannel; AAC: MDCT, Hybrid Subband (AAC-HE) 8–192 kHz, [53] also: 7.35 kHz, but used rarely. 8–529 kbit/s (stereo, 44.1 kHz) 8–576 kbit/s (stereo, 48 kHz) 20–405 ms [54] Yes Yes Yes: Dual, Mid/Side, Intensity, Parametric Yes: Up to 48 channels AC3: MDCT: 32, 44.1, 48 kHz 32–640 kbit/s ...
Different bit depth/sampling rate/channel combinations can be used on a single disc. For instance, a DVD-Audio disc may contain a 96 kHz/24-bit 5.1-channel audio track as well as a 192 kHz/24-bit stereo audio track. Also, the channels of a track can be split into two groups stored at different resolutions.
HFPA is encoded as 24-bit/96 kHz or 24-bit/192 kHz linear PCM ("high-resolution audio"), optionally losslessly compressed with Dolby TrueHD or DTS-HD Master Audio. [1] HFPA discs are compatible with existing Blu-ray players. [5] Pure Audio Blu-ray refers to a different initiative (but with some goals in common) launched by msm-studios in ...
Byte 2: Audio word length bits 0–2: Aux bits usage. This indicates how the aux bits (time slots 4–7) are used. Generally set to 000 2 (unused) or 001 2 (used for 24-bit audio data). bits 3–5: Word length. Specifies the sample size, relative to the 20- or 24-bit maximum. Can specify 0, 1, 2 or 4 missing bits.
Instead, NRZI coding is used, where a 0 bit indicates no transition and a 1 bit is a transition. 8 audio samples at 24 bits per sample plus 4 user bits (196 bits total) are sent in groups of 4 data bits followed by a 1 bit to force a transition. This totals 196×5/4 = 245 bits. 10 consecutive 0 bits followed by a 1 bit provide frame ...
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