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Fabrics such as cotton, cotton/polyester blends, polyester, and canvas work well with heat transfer vinyl. There are types of vinyl that can also be used with nylon and leather. However, products such as paper and plastics do not work well because they cannot take the heat required to adhere the vinyl to the substrate.
Dye-sublimation printing (or dye-sub printing) is a term that covers several distinct digital computer printing techniques that involve using heat to transfer dye onto a substrate. The sublimation name was first applied because the dye was thought to make the transition between the solid and gas states without going through a liquid stage. This ...
Common transfer types are Heat Transfer Vinyl cut with a vinyl cutter, Printable Heat Transfer Vinyl, Inkjet Transfer Paper, Laser Transfer Paper, Plastisol Transfers, and Sublimation. Using a Heat Press to apply a heat transfer is a way to ensure accurate time, temperature, and pressure, which are all essential to the transfer process. [1]
Since the early 1990s, inkjet technology and specially developed water-based ink (known as dye-sublimation or disperse direct ink) have made it possible to print directly onto polyester fabric. This is mainly related to visual communication in retail and brand promotion (flags, banners and other point of sales applications).
Dye-sublimation printing is a widely used direct-to-garment digital printing technology using full-color artwork to transfer images to polyester and polymer-coated substrate based T-shirts. Dye sublimation (also commonly referred to as all-over printing) came into widespread use in the 21st century, enabling some previously impossible designs.
Digital textile printing is described as any ink jet based method of printing colorants onto fabric. Most notably, digital textile printing is referred to when identifying either printing smaller designs onto garments (T-shirts, dresses, promotional wear; abbreviated as DTG, which stands for Direct to garment printing) and printing larger designs onto large format rolls of textile.
When the first colour was finished, the finished fabric was set aside to dry. If more than one colour was used, once the fabric was dry, a block with the next colour would be inked and carefully impressed over the image left by the first. The same process and the same blocks could be used for making both fabrics and wallpaper.
The greater the pressure applied to the rubber sleeve during sanforization, the less shrinking will occur once the garment is in use. The process may be repeated. The aim of the process is a cloth which does not shrink significantly during production, cutting, ironing, sewing, or especially, by wearing and washing the finished clothes.
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