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The poem in BL Add. MS 14997, a manuscript dating from c. 1500. The academic critic Huw Meirion Edwards considered that "The Seagull"’s imagery goes far beyond anything that had come before it in Welsh poetry, [7] and Anthony Conran wrote that "pictorially it is superb…[it] has the visual completeness, brilliance and unity of a medieval illumination, a picture from a book of hours". [8]
Poems about birds, warm-blooded vertebrates constituting the class Aves (/ ˈ eɪ v iː z /), characterised by feathers, toothless beaked jaws, the laying of hard-shelled eggs, a high metabolic rate, a four-chambered heart, and a strong yet lightweight skeleton.
The bird takes flight and Vendler regards what follows - the description of the bird in flight - as "the astonishing part of the poem". Vendler notes that the poem typifies Dickinson's "cool eye, her unsparing factuality, her startling similes and metaphors, her psychological observations of herself and others, her capacity for showing herself ...
"Since risen from ocean, ocean to defy," Poems Composed or Suggested during a Tour in the Summer of 1833 1835 On the Frith of Clyde. (In a Steamboat) 1833 "Arran! a single-crested Teneriffe," Poems Composed or Suggested during a Tour in the Summer of 1833 1835 On revisiting Dunolly Castle 1833 "The captive Bird was gone;—to cliff or moor"
Coleridge often made changes to his poems and The Rime of the Ancient Mariner was no exception – he produced at least eighteen different versions over the years. [20] (pp 128–130) He regarded revision as an essential part of creating poetry. [20] (p 138) The first published version of the poem was in Lyrical Ballads in 1798.
Endymion received scathing criticism after its release, [1] and Keats himself noted its diffuse and unappealing style. Keats did not regret writing it, as he likened the process to leaping into the ocean to become more acquainted with his surroundings; in a poem to J. A. Hessey, he expressed that "I was never afraid of failure; for I would sooner fail than not be among the greatest."
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Salt-Water Poems and Ballads is a book of poetry on themes of seafaring and maritime history by British future Poet Laureate John Masefield. It was first published in 1916 by Macmillan, with illustrations by Charles Pears. The collection includes "Sea-Fever" and "Cargoes", two of Masefield's best known poems.