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19th- and early 20th-century performing editions of string music 2,000 AHRC-funded research project containing music files viewable on-site or as downloads. Most of the music consists of chamber music and concertos for string instruments, edited and annotated by such players as Ferdinand David, Friedrich Grützmacher, and Joseph Joachim.
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These innovative pieces exerted a long-lasting influence on porcelain design, especially in Britain, [29] and similar styles have seen a strong revival from the late 20th century, led by Portmeirion Pottery's "Botanic Garden" range, launched in 1972, using designs adapted from Thomas Green's Universal or-Botanical, Medical and Agricultural ...
Plate from the Harewood House botanical dessert service, probably 1830s-1840s. Coalport, Shropshire, England was a centre of porcelain and pottery production between about 1795 ("inaccurately" claimed as 1750 by the company) [1] and 1926, with the Coalport porcelain brand continuing to be used up to the present.
Havergal Brian (1876–1972), the classical composer and music writer, who composed 32 symphonies and five operas, [185] was born in Stoke (in Dresden). The large scale and unfashionable style of his compositions led to them being neglected for most of his lifetime and not a note of his music was commercially issued on record during his lifetime.
In the later decades of the 19th century, the music industry became dominated by a group of publishers and song-writers in New York City that came to be known as Tin Pan Alley. Tin Pan Alley's representatives spread throughout the country, buying local hits for their publishers and pushing their publisher's latest songs.
Now a museum, the former Gladstone pottery works date mostly from 1860 but there are elements that date back to the start of the 19th century and earlier. The main building range is a long 3 storey building and behind it are a number of kilns and other building ranges arranged around a central courtyard.
The 19th-century heyday for Bunzlauer ceramics came in the 1870s, when close to 20 different family-run pottery shops were in operation in Bunzlau itself, and some 35 in the neighboring town of Naumburg am Queis (Nowogrodziec). [14] A large number of potters were apprenticed during this period and many of them succeeded in opening their own shops.