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"Woodstock" is a song written by Canadian-American singer-songwriter Joni Mitchell. At least four versions of the song were released in 1970. Mitchell's own version was first performed live in 1969 and appeared in April 1970 on her album Ladies of the Canyon and as the B-side to her single "Big Yellow Taxi".
Mitchell was living with Graham Nash at the time much of the album was written. [13] A number of the album's songs, including the aforementioned "Ladies of the Canyon" and "Woodstock", feature densely stacked, wordless harmony overdubs reminiscent of David Crosby's oeuvre; Crosby himself performed "For Free" for many years. "The Circle Game ...
She memorialized “Woodstock” in a song but didn’t attend. Mitchell wrote another hit “Woodstock,” inspired by the famous music festival held in the summer of 1969 in New York state ...
Roberta Joan "Joni" Mitchell CC (née Anderson; born November 7, 1943) is a Canadian-American singer-songwriter, multi-instrumentalist, and painter.As one of the most influential singer-songwriters to emerge from the 1960s folk music circuit, Mitchell became known for her personal lyrics and unconventional compositions, which grew to incorporate elements of pop, jazz, and other genres. [1]
Last night, a friend alerted me to a filmed concert on the Isle of Wight in 1970 where Joni Mitchell performed. She said it was on YouTube. It was one of those post-Woodstock ridiculous assemblies ...
Joni Mitchell’s vault will get an even deeper dig this fall with the release of a 6-CD boxed set that will bring together about a hundred previously unreleased recordings from the fruitful late ...
"Big Yellow Taxi" is a song written, composed, and originally recorded by Canadian singer-songwriter Joni Mitchell in 1970, and originally released on her album Ladies of the Canyon. It was a hit in her native Canada (No. 15) as well as Australia (No. 6) and on the UK Singles Chart (No. 11).
Mitchell, who did not appear at the Woodstock Festival, performs the song "Woodstock" prior to any album release, first attempting to teach the audience to sing the melodically complicated refrain. Ironically, Mitchell would later develop a well-known distaste for festival gigs, but in this performance her enthusiasm is evident.