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Bosch's works are generally organised into three periods of his life dealing with the early works (c. 1470–1485), the middle period (c. 1485–1500), and the late period (c. 1500 until his death). According to Stefan Fischer, thirteen of Bosch's surviving paintings were completed in the late period, with seven attributed to his middle period ...
Ludwig von Baldass (1917) considered the painting to be an early work by Bosch. [50] However, since De Tolnay (1937) [51] consensus among 20th-century art historians placed the work in 1503–1504 or even later. Both early and late datings were based on the "archaic" treatment of space. [52]
Bosch's works are generally organized into three periods of his life dealing with the early works (c. 1470–1485), the middle period (c. 1485–1500), and the late period (c. 1500 until his death). According to Stefan Fischer, thirteen of Bosch's surviving paintings were completed in the late period, with seven surviving paintings attributed ...
The Triptych of Temptation of St. Anthony is an oil painting on wood panels by the Early Netherlandish painter Hieronymus Bosch, dating from around 1501.The work portrays the mental and spiritual torments endured by Saint Anthony the Great (Anthony Abbot), one of the most prominent of the Desert Fathers of Egypt in the late 3rd and early 4th centuries.
The Hermit Saints is a religious oil on panel painting displayed as a triptych which was painted c. 1493 by the Early Netherlandish artist Hieronymus Bosch. The entirety of the triptych painting measures 86 by 60 centimetres (34 in × 24 in).
Xavier, Duquenne, ≪ La famille Scheyfve et Jerome Bosch ≫, L’intermediaire des genealogistes, janvier-fevrier 2004, p. 1-19; Matthijs Ilsink, Jos Koldeweij, Hieronymus Bosch: Painter and Draughtsman – Catalogue raisonné, Yale University Press, New Haven and London 2016, pp 198–215.
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The work was bought by the Museum of Fine Arts, Ghent in 1902, and was restored in 1956–1957. As for all Bosch-related works, the dating is uncertain, although most art historians assigned it to his late career. [5] The catalogue of the Bosch exhibition held in Rotterdam in 2001 assigned it to 1510–1535, attributing the execution to a follower.