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A serpent or dragon consuming its own tail, it is a symbol of infinity, unity, and the cycle of death and rebirth. Pentacle: Mesopotamia: An ancient symbol of a unicursal five-pointed star circumscribed by a circle with many meanings, including but not limited to, the five wounds of Christ and the five elements (earth, fire, water, air, and soul).
Tattoos hold rich historical and cultural significance as permanent markings on the body, conveying personal, social, and spiritual meanings. However, religious interpretations of tattooing vary widely, from acceptance and endorsement to strict prohibitions associating it with the desecration of the sacred body.
The tattoo only confers its powers so long as the bearer observes certain rules and taboos, such as abstaining from a certain type of food. [ 1 ] Sak yant designs are also applied to many other media, such as cloth or metal, and placed in one's house, place of worship, or vehicle as a means of protection [ citation needed ] from danger or ...
The pentacle or pentagram has a long history as a symbol used in alchemy and western occultism; it was adopted as a symbol in Wicca in c. the 1960s. There was a campaign to recognize it as a symbol representing Wicca as a religion on US veteran headstones since the late 1990s, and the symbol was recognized for use on such headstones in 2007. [19]
Rapa Nui tattoo tools, Manchester Museum. Tattoos, as well as other forms of art in Rapa Nui, blends anthropomorphic and zoomorphic imagery. [3] The most common symbols represented were of the Make-Make god, Moais, Komari (the symbol of female fertility), the manutara, and other forms of birds, fish, turtles or figures from the Rongo Rongo ...
Some of the most common religious symbols in the religion are the Om, the sacred syllable regarded to represent the Ultimate Reality, and the Swastika, a symbol of auspiciousness. [ 9 ] The mode of worshipping deities through religious images is described in Hindu texts such as the Puranas , with prescriptions of the manner in which an image ...
Painting by Gottfried Lindauer of a moko being carved into a man's face by a tohunga-tā-moko (tattooist) A collection of kōrere (feeding funnels). Historically the skin was carved by uhi [6] (chisels), rather than punctured as in common contemporary tattooing; this left the skin with grooves rather than a smooth surface.
Orthodox images more often contained inscriptions with the names of saints, so the Eastern repertoire of attributes is generally smaller than the Western. Many of the most prominent saints, like Saint Peter and Saint John the Evangelist can also be recognised by a distinctive facial type. Some attributes are general, such as the martyr's palm. [4]