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A pop art sculpture unique to the predominately Western art movement, Pisupo Lua Afe consists of a bull made of hundreds of tinned corned beef cans held together by rivets. The artwork addresses the plight of traditional Samoan cuisine and health due to the introduction of pisupo - unhealthy, commercial tinned food- by Europeans.
used by up to 300 investor-owned utilities world-wide from 1926, although use declined in the 1970s and few remain. Voiced by Walter Tetley in two short films. Elmer the Bull: Elmer's Products: 1940s-present: Note:originally the mate for Elsie the Cow of Borden's dairy products. Jacko: Energizer batteries: late-1980s
After working on the scripts for a number of films, including co-writing the Nick Nolte and Gene Hackman political drama Under Fire, Shelton made his directorial debut with Bull Durham [3] in 1988. Set in the world of minor league baseball, the romantic comedy stars Kevin Costner, Susan Sarandon and Tim Robbins. Shelton's screenplay netted him ...
Gilley's fame spread in the early 1980s with the help of Cryer's patent-holding, the mechanical bull. [2] The bull became a huge nightly draw as cowboys from the area took turns testing their skill in front of large crowds. Cryer and Gilley expected lawsuits from patrons getting hurt on the bull but no one sought them.
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Google on Monday removed derogatory reviews about McDonald's after the suspect in the killing of UnitedHealth executive Brian Thompson was arrested at its restaurant in Altoona, Pennsylvania ...
A Rockhampton big bull at 9 Gladstone Road, Allenstown (2012). Within Rockhampton, there are other bull statues, including: Stockman's Corner clothing store, 9 Gladstone Road, Allenstown. A white bull is raised above the store awning; The Lionleigh Pub, 1 Wandal Road, Wandal. A brown bull stands atop the awning of the pub;
Broderick was born in Bristol, in the west of England, on 18 June 1935, and attended Bembridge School on the Isle of Wight. He studied painting, illustration and sculpture under Ray Millard and Geoffrey Deeley at the Regent Street Polytechnic from 1952 to 1957, and with Sidney Harpley and Keith Godwin at the Hammersmith School of Art from 1964 to 1965.