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Animal colouration is the general appearance of an animal resulting from the reflection or emission of light from its surfaces. Some animals are brightly coloured, while others are hard to see. In some species, such as the peafowl, the male has strong patterns, conspicuous colours and is iridescent, while the female is far less visible.
Animal-made art consists of works by non-human animals, that have been considered by humans to be artistic, including visual works, music, photography, and videography. Some of these are created naturally by animals, often as courtship displays , while others are created with human involvement.
This book and Drawing Made Easy, published by Charles Scribner's Sons in 1921, grew out of work Lutz created for a series of newspaper articles published in The Sun in 1912. Drawing Made Easy was Lutz's most popular book and was reprinted through the 1970s. In it, Lutz taught a method of drawing based on the technique used in French art schools ...
Concealing-Coloration in the Animal Kingdom: An Exposition of the Laws of Disguise Through Color and Pattern; Being a Summary of Abbott H. Thayer's Discoveries is a book published ostensibly by Gerald H. Thayer in 1909, and revised in 1918, but in fact a collaboration with and completion of his father Abbott Handerson Thayer's major work.
Most think Toba Sōjō created Chōjū-jinbutsu-giga, who created a painting a lot like Chōjū-jinbutsu-giga; [8] however, it is hard to verify this claim. [10] [11] [12] The drawings of Chōjū-jinbutsu-giga are making fun of Japanese priests in the creator's time period, characterising them as toads, rabbits and monkeys.
Although individual figures are less naturalistic, they are grouped in coherent grouped compositions to a much greater degree. Over a long period of time, the cave art has become less naturalistic and has graduated from beautiful, naturalistic animal drawings to simple ones, and then to abstract shapes.
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Indra and Sachi riding the five-headed divine elephant Airavata, folio from a Jain text, c. 1670–1680, painting in LACMA museum, originally from Amber, Rajasthan.. In Hindu puranas, the vehicle or mount of god Indra (Sakra in the Buddhist pantheon) is the white elephant named Airāvata, which possesses the ability to fly. [6]
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