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A sine wave, sinusoidal wave, or sinusoid (symbol: ∿) is a periodic wave whose waveform (shape) is the trigonometric sine function. In mechanics , as a linear motion over time, this is simple harmonic motion ; as rotation , it corresponds to uniform circular motion .
Sinewave synthesis, or sine wave speech, is a technique for synthesizing speech by replacing the formants (main bands of energy) with pure tone whistles. The first sinewave synthesis program (SWS) for the automatic creation of stimuli for perceptual experiments was developed by Philip Rubin at Haskins Laboratories in the 1970s.
In psychoacoustics, a pure tone is a sound with a sinusoidal waveform; that is, a sine wave of constant frequency, phase-shift, and amplitude. [1] By extension, in signal processing a single-frequency tone or pure tone is a purely sinusoidal signal (e.g., a voltage).
A modulated wave resulting from adding two sine waves of identical amplitude and nearly identical wavelength and frequency. A common situation resulting in an envelope function in both space x and time t is the superposition of two waves of almost the same wavelength and frequency: [2]
As the sine wave contains only one frequency, its shape is unaltered. A low-pass filter (blue trace) rounds the pulses by removing the high frequency components. All systems are low pass to some extent. Note that the phase of the sine wave is different for the lowpass and the highpass cases, due to the phase distortion of the filters.
Additive synthesis is a sound synthesis technique that creates timbre by adding sine waves together. [1] [2]The timbre of musical instruments can be considered in the light of Fourier theory to consist of multiple harmonic or inharmonic partials or overtones.
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The amplifier should be outputting a clean sine wave with rounded tops and bottoms, but instead they are cut off flat, or clipped. Clipping is a form of distortion that limits a signal once it exceeds a threshold.