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Lady Macbeth is a leading character in William Shakespeare's tragedy Macbeth (c. 1603–1607). As the wife of the play's tragic hero, Macbeth (a Scottish nobleman), Lady Macbeth goads her husband into committing regicide, after which she becomes queen of Scotland. Some regard her as becoming more powerful than Macbeth when she does this ...
MACBETH. She should have died hereafter. There would have been a time for such a word. Tomorrow, and tomorrow, and tomorrow, Creeps in this petty pace from day to day, To the last syllable of recorded time; And all our yesterdays have lighted fools The way to dusty death. Out, out, brief candle! Life’s but a walking shadow; a poor player,
The Sleepwalking Lady Macbeth by Johann Heinrich Füssli, late 18th century. (Musée du Louvre) The sleepwalking scene is a critically celebrated scene from William Shakespeare's tragedy Macbeth (1606). Carrying a taper (candlestick), Lady Macbeth enters sleepwalking. The Doctor and the Gentlewoman stand aside to observe.
One of the first-recorded uses of this phrase was by the character Lady Macbeth in Act 3, Scene 2 of the tragedy play Macbeth (early 17th century), by the English playwright William Shakespeare, who said: "Things without all remedy Should be without regard: what's done, is done" [2] and "Give me your hand.
Lady Macbeth by George Cattermole. Lady (title): Lady Anne is the widow of Prince Edward, wooed by Richard over the corpse of her late father-in-law (Henry VI) in Richard III. Lady Bona is King Lewis's sister-in-law, whose hopes to marry Edward are thwarted, in Henry VI, Part 3. Lady Capulet is Juliet's mother in Romeo and Juliet.
Gruoch is the model for the character Lady Macbeth in William Shakespeare's play Macbeth.; She is the heroine of Gordon Bottomley's 1921 verse drama Gruach, in which the King's Envoy (i.e. Macbeth) sees her sleepwalking on the eve of her marriage to another man, falls in love with her and carries her off.
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[143] [144] [145] In Macbeth, the shortest and most compressed of Shakespeare's tragedies, [146] uncontrollable ambition incites Macbeth and his wife, Lady Macbeth, to murder the rightful king and usurp the throne until their own guilt destroys them in turn. [147] In this play, Shakespeare adds a supernatural element to the tragic structure.