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[12]: 80 Other items show that Japanese designers started printing designs influenced by the Indian patterns independently, [12]: 80–84 and that fabrics imported from France or Britain were also used to make kimono; ownership of these textiles would have signified both wealth and cultural taste, though the example found in the collection of a ...
Ōshima-tsumugi kimono are hugely valued for their detailed kasuri patterns and deep black color. They are known as one of the most expensive silk fabrics in Japan. [ 6 ] The cheapest piece costs about 300,000 yen per bolt, or tanmono, and the highest quality costs several million yen.
A traditional Japanese drawstring bag or pouch, worn like a purse or handbag (vaguely similar to the English reticule), for carrying around personal possessions. A kind of sagemono. Koshihimo (腰紐, lit. ' hip cord ') A narrow strip of fabric used to tie the kimono, nagajuban and ohashori in place while dressing oneself in kimono. They are ...
An unlined (hitoe) kimono made from tsumugi, showing soft drape.Tsumugi (紬) is a traditional slub-woven silk fabric from Japan.It is a tabby weave material woven from yarn produced using silk noil, short-staple silk fibre (as opposed to material produced using longer, filament yarn silk fibres).
English: Kimono fabric from Okinawa, 1868-1912, bashō (banana), katachiki/bingata (stencil-printed paste resist), Honolulu Museum of Art accession 3363.1 Date Taken in 2018
Photograph of a man and woman wearing traditional clothing, taken in Osaka, Japan. There are typically two types of clothing worn in Japan: traditional clothing known as Japanese clothing (和服, wafuku), including the national dress of Japan, the kimono, and Western clothing (洋服, yōfuku), which encompasses all else not recognised as either national dress or the dress of another country.
The fabrics that kimono are made from are classified in two categories within Japan. Gofuku (呉服) is the term used to indicate silk kimono fabrics, composed of the characters go (呉, the Japanese pronunciation of "Wu"), referring to the State of Wu in ancient China where silk weaving technology developed, and fuku (服, meaning "clothing").
If the fabric is a single solid colour, or the pattern was komon (a small all-over reversible pattern), the bolt can be cut anywhere. Otherwise, the patterns would be spaced so that it was in the right place relative to where the cloth would be cut (for instance, so that a kimono's hem patterns were located at the hem on all body panels).
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