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A variable speed pitch control (or vari-speed) is a control on an audio device such as a turntable, tape recorder, or CD player that allows the operator to deviate from a standard speed (such as 33, 45 or even 78 rpm on a turntable), resulting in adjustments in pitch. [1]
Pitch scaling is the opposite: the process of changing the pitch without affecting the speed. Pitch shift is pitch scaling implemented in an effects unit and intended for live performance. Pitch control is a simpler process which affects pitch and speed simultaneously by slowing down or speeding up a recording.
ADT works by taking the original recording of a vocal part and duplicating it onto a second tape machine which has a variable speed control. The manipulation of the speed of the second machine during playback introduces a delay between the original vocal and the second recording of it, giving the effect of double tracking without having to sing ...
Pitch correction is a form of pitch shifting and is found in software such as Auto-Tune and Melodyne to correct intonation inaccuracies in a recording or performance. Pitch shifting may raise or lower all sounds in a recording by the same amount, whereas in practice, pitch correction may make different changes from note to note. [5]
Even though a recording on tape may have been made at studio quality, tape speed is the limiting factor, much like bit rate limits digital recording. Decreasing the speed of analog audio tape causes a uniform decrease in the linearity of the frequency response, increased background noise (hiss), more noticeable dropouts where there are flaws in ...
#5861 Next; to play next part, #1116 Movement with normal speed in direction of arrow to a fixed position: To identify the control or the indicator to play the next part and then stop. Record: U+23FA ⏺ #5547 Recording, general: To identify a control to preset or start a recording mode. Eject U+23CF ⏏ #5459 Eject
The control track is used to fine-tune the tape speed during playback, so that the high speed rotating heads remained exactly on their helical tracks rather than somewhere between two adjacent tracks (known as "tracking"). Since good tracking depends on precise distances between the rotating drum and the fixed control/audio head reading the ...
Although there was no universally accepted speed, and various companies offered discs that played at several different speeds, the major recording companies eventually settled on a de facto industry standard of nominally 78 revolutions per minute. The specified speed was 78.26 rpm in America and 77.92 rpm throughout the rest of the world.