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Many blues songs were developed in American folk music traditions and individual songwriters are sometimes unidentified. [1] Blues historian Gerard Herzhaft noted: In the case of very old blues songs, there is the constant recourse to oral tradition that conveyed the tune and even the song itself while at the same time evolving for several decades.
As the chords of a 12-bar blues follow a form, so does the melodic line. The melodic line might just be the melody of the piece or it might also include lyrics. The melody and lyrics frequently follow an AA'B form, meaning one phrase is played then repeated (perhaps with a slight alteration), then something new is played. [ 14 ]
Howlin' Wolf recorded "Killing Floor" in Chicago in August 1964, which Chess Records released as a single. [2] According to blues guitarist and longtime Wolf associate Hubert Sumlin, the song uses the killing floor – the area of a slaughterhouse where animals are killed – as a metaphor or allegory for male-female relationships: "Down on the killing floor – that means a woman has you down ...
In jazz, blues and R&B, riffs are often used as the starting point for longer compositions. Count Basie's band used many riffs in the 1930's, like in "Jumping at the Woodside" and "One O Clock Jump". Charlie Parker used riffs on "Now's the Time" and "Buzzy". Oscar Pettiford's tune "Blues in the Closet" is a rifftune and so is Duke Ellington's ...
Wilson's slash and burn guitaring is a breath of fresh air at a time when a generation of tepid teen players are being taken seriously as blues musicians." [ 12 ] The Washington Post stated that "thick, punchy horn riffs dominate nearly every song and force Wilson to sharpen the edge on his lead-guitar licks and to pump up his hollering vocals ...
In popular music genres such as country, blues, jazz or rock music, a lick is "a stock pattern or phrase" [2] consisting of a short series of notes used in solos and melodic lines and accompaniment. For musicians, learning a lick is usually a form of imitation. By imitating, musicians understand and analyze what others have done, allowing them ...
"Hide Away" or "Hideaway" is a blues guitar instrumental that has become "a standard for countless blues and rock musicians performing today". [1] First recorded in 1960 by Freddie King , the song became a hit on the record charts.
The Byrds' recording of "It's All Over Now, Baby Blue" first saw release on October 29, 1969, as part of the band's Ballad of Easy Rider album. [ 39 ] [ 40 ] The song also appeared on the B-side of the band's December 1969 single, " Jesus Is Just Alright ", which reached number 97 on the Billboard Hot 100 chart.
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