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The Good, the Bart, and the Loki, a 2021 Disney+ short featuring The Simpsons and tied into the first season of Loki, features a mid-credits scene of Loki disguised as Moe Szyslak giving patrons at Moe's Tavern free drinks. In two post-credits scenes, Ralph Wiggum as the Hulk smashes Loki similarly to a scene from The Avengers, and Loki stands ...
The Hulk's theme was meant to be iconic and simple, like Jaws (1975), with string glissandos on a bass C note. Banner's theme is tragic and includes parts of Joe Harnell's "The Lonely Man" theme from the television series. Armstrong played the piano for one scene featuring that piece. Blonsky has a dark theme, which becomes aggressive when he ...
When Armstrong first began working in Glasgow, he did so with three sequences which he called "the keys to opening up" the score: the Abomination and the Hulk's alley fight, "which was complex because of its choreography"; Bruce Banner and Betty Ross' reunion, "the romantic element of the score"; and the Hulk and Betty in the cave, which ...
Marvel TV Shows, Ranked: WandaVision, Secret Invasion, She-Hulk, Loki and Other MCU Fare ... Nick Fury’s skin — and share meaningful scenes with Don Cheadle. Olivia Colman was a hoot (if ...
Hulk (Original Motion Picture Soundtrack) is the soundtrack accompanying the 2003 superhero film Hulk, directed by Ang Lee based on the Marvel Comics character of the same name, created by Stan Lee and Jack Kirby.
The soundtrack received mixed reviews from critics in the music community. Christopher Coleman of TrackSounds gave it a 5 out of 10, citing the opening theme, "Homecoming: Suite", and "The Lonely Man" as unforgettable, while also stating that many of the other tracks are typical seventies fare that could easily fit into any other popular series of that time. [2]
Part 2: After Hulk is absorbed by the Supreme Intelligence, the Agents of S.M.A.S.H. and the Avengers must work together to free Hulk and prevent the destruction of Earth and the cosmos. After A-Bomb rescues Hulk and Leader, the Agents of S.M.A.S.H. and the Avengers gain help from Spider-Man, the Inhumans, Nick Fury's Howling Commandos, Ghost ...
That was the challenge facing English composer Natalie Holt, who with her music for “Loki” becomes only the second woman to compose the dramatic score for a Marvel Cinematic Universe film or ...