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Verre églomisé [vɛʁ e.ɡlɔ.mi.ze] is a French term referring to the process of applying both a design and gilding onto the rear face of glass to produce a mirror finish. The name is derived from the 18th-century French decorator and art-dealer Jean-Baptiste Glomy [ 1 ] (1711–1786), who was responsible for its revival.
The panels were not confined to just the walls of a room but were used to decorate doors, frames, cupboards, and shelves also. It was standard for mirrors to be installed and framed by the carved boiseries, especially above the mantelpiece of a fireplace. Paintings were also installed within boiseries, above doorways or set into central panels. [7]
However, the glass layer may absorb some of the light and cause distortions and optical aberrations due to refraction at the front surface, and multiple additional reflections on it, giving rise to "ghost images" (although some optical mirrors such as Mangins take advantage of it).
The size of individual mirrors was still small: the 17 seemingly large window-like panes in the Hall of Mirrors are in fact stitched from 357 small pieces of mirror glass. [12] In 1687, Bernard Perrot developed a process of glass casting that enabled first truly large glass mirrors, impossible to make using the traditional glass blowing process.
A beveled glass mirror, ca. 1910. Beveled glass is usually made by taking thick glass and creating an angled surface cut around the entire periphery. [1] Bevels act as prisms in sunlight creating an interesting color refraction which both highlights the glass work and provides a spectrum of colors which would ordinarily be absent in clear float glass.
Large 18th-century Rococo pier glass in the Amalienburg Pavilion, Schloss Nymphenburg. A trumeau mirror is a type of wall mirror originally manufactured in France in the later 18th century. It takes its name from the French word trumeau, which designates the space between windows. Such a mirror, usually rectangular, could also hang above an ...
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