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  2. Loudspeaker time alignment - Wikipedia

    en.wikipedia.org/wiki/Loudspeaker_time_alignment

    In 1975 Ed Long [1] in cooperation with Ronald J. Wickersham invented the first technique to Time-Align a loudspeaker systems. In 1976 Long presented "A Time-Align Technique for Loudspeakers System Design" [2] at the 54th AES convention demonstrating the use of the Time-Align generator to design improved crossover networks for multi-way loudspeakers systems.

  3. Midwoofer-tweeter-midwoofer - Wikipedia

    en.wikipedia.org/wiki/Midwoofer-tweeter-midwoofer

    The midwoofer-tweeter-midwoofer loudspeaker configuration (called MTM, for short) was a design arrangement from the late 1960s that suffered from serious lobing issues that prevented its popularity until it was perfected by Joseph D'Appolito as a way of correcting the inherent lobe tilting of a typical mid-tweeter (MT) configuration, at the crossover frequency, unless time-aligned. [1]

  4. Audio crossover - Wikipedia

    en.wikipedia.org/wiki/Audio_crossover

    Satisfactory output of the complete system comprising the audio crossover and the loudspeaker drivers in their enclosure(s) is the design goal. Such a goal is often achieved using non-ideal, asymmetric crossover filter characteristics. [5] Many different crossover types are used in audio, but they generally belong to one of the following classes.

  5. Bi-amping and tri-amping - Wikipedia

    en.wikipedia.org/wiki/Bi-amping_and_tri-amping

    Bi-amping - An active crossover with two amplifiers.. Bi-amping and tri-amping is the practice of using two or three audio amplifiers respectively to amplify different audio frequency ranges, with the amplified signals being routed to different speaker drivers, such as woofers, subwoofers and tweeters.

  6. Linkwitz–Riley filter - Wikipedia

    en.wikipedia.org/wiki/Linkwitz–Riley_filter

    This is the biggest advantage of L-R crossovers compared to even-order Butterworth crossovers, whose summed output has a +3 dB peak around the crossover frequency. Since cascading two n th -order Butterworth filters will give a (2 n ) th -order Linkwitz–Riley filter, theoretically any (2 n ) th -order Linkwitz–Riley crossover can be designed.

  7. Talk:Audio crossover - Wikipedia

    en.wikipedia.org/wiki/Talk:Audio_crossover

    Lenard Education on crossovers illustrated overview of audio crossovers. diyAudioAndVideo.com – DIY Audio site with information on building crossovers. Includes a crossover calculator for 15 different types of crossovers. KS Digital – makers of several loudspeakers with digital crossovers; Article about active crossovers

  8. Thiele/Small parameters - Wikipedia

    en.wikipedia.org/wiki/Thiele/Small_parameters

    The 1925 paper [1] of Chester W. Rice and Edward W. Kellogg, fueled by advances in radio and electronics, increased interest in direct radiator loudspeakers. In 1930, A. J. Thuras of Bell Labs patented (US Patent No. 1869178) his "Sound Translating Device" (essentially a vented box) which was evidence of the interest in many types of enclosure design at the time.

  9. Line array - Wikipedia

    en.wikipedia.org/wiki/Line_array

    Manufacturers typically provide a spreadsheet or custom program to design arrays. Examples include L-Acoustics SOUNDVISION, [15] Adamson Blueprint, [16] Electro-Voice LAPS (Line Array Prediction Software), [17] d&b audiotechnik ArrayCalc, and JBL Vertec Line Array Calculator. [18] Renkus Heinz offers a program called EaseFocus.

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