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Dramatism, a communication studies theory, was developed by Kenneth Burke as a tool for analyzing human relationships through the use of language. Burke viewed dramatism from the lens of logology , which studies how people's ways of speaking shape their attitudes towards the world. [ 1 ]
The dramatistic pentad forms the core structure of dramatism, a method for examining motivations that the renowned literary critic Kenneth Burke developed. Dramatism recommends the use of a metalinguistic approach to stories about human action that investigates the roles and uses of five rhetorical elements common to all narratives, each of which is related to a question.
Language as Symbolic Action: Essays on Life, Literature and Method is a book by Kenneth Burke, published in 1966 by the University of California Press. [1] As indicated by the title, the book, Burke's 16th published work, consists of “many of Burke's essays which have appeared in widely diverse periodicals” and has thus been regarded as one of the most significant resources for studying ...
Burke's definition of man states: "Man is the symbol-using (symbol-making, symbol-misusing) animal, inventor of the negative (or moralized by the negative), separated from his natural condition by instruments of his own making, goaded by the spirit of hierarchy (or moved by the sense of order), and rotten with perfection".
The Rhetoric of Hitler's "Battle" is an influential essay written by Kenneth Burke in 1939 which offered a rhetorical analysis of Adolf Hitler's rise to power in Germany. Much of Burke's analysis focuses on Hitler's Mein Kampf ("my struggle"). Burke (1939; reprinted in 1941 and 1981) identified four tropes as specific to Hitler's rhetoric ...
Kenneth Duva Burke (May 5, 1897 – November 19, 1993) was an American literary theorist, as well as poet, essayist, and novelist, who wrote on 20th-century philosophy, aesthetics, criticism, and rhetorical theory. [1]
Kenneth Burke develops the terministic screen in his book of essays called Language as Symbolic Action in 1966. He defines the concept as "a screen composed of terms through which humans perceive the world, and that direct attention away from some interpretations and toward others". [1]
Dramaturgy is a sociological perspective that analyzes micro-sociological accounts of everyday social interactions through the analogy of performativity and theatrical dramaturgy, dividing such interactions between "actors", "audience" members, and various "front" and "back" stages.