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Magenta is variously defined as a purplish-red, reddish-purple, or a mauvish–crimson color. On color wheels of the RGB and CMY color models, it is located midway between red and blue, opposite green. Complements of magenta are evoked by light having a spectrum dominated by energy with a wavelength of roughly 500–530 nm.
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The glaze has glasslike and pooling (buildup of glaze) characteristics which puts emphasis on the surface texture of the piece being glazed. When the glaze is mostly made up of wood ash, the final result is mostly dark brown to green. The pots with these glazes resemble the earth in color and texture.
Blue is the colour of light between violet and cyan on the visible spectrum. Hues of blue include indigo and ultramarine, closer to violet; pure blue, without any mixture of other colours; Azure, which is a lighter shade of blue, similar to the colour of the sky; Cyan, which is midway in the spectrum between blue and green, and the other blue ...
This is an accepted version of this page This is the latest accepted revision, reviewed on 26 January 2025. Variety of the color blue For other uses, see Shades of Blue (disambiguation). "Shade of Blue" redirects here. For the song by Black Rebel Motorcycle Club, see Shade of Blue (song). For the R&B/funk band, see Shade of Blue (band). Blue Wavelength 440–490 nm Common connotations ...
Blue Mountain Pottery were known for their combinations of glazes that gave each item a unique finish. The initial glaze used was a deep blue-green, combined with a darker glaze. This combination of glazes, called a "flow glaze" or a "drip glaze" process, meant that during the firing process, each piece obtained a unique appearance. [1] [3]
[8] [9] At the firing stage a bake between 900 and 1,000 °C (1,650 and 1,830 °F) is applied to achieve a spectrum between turquoise blue and green. Underglaze in Ptolemaic faience was widely used for Ushabti dolls en masse for grave goods in the late Kingdom period.
Heavy metals are dense metals used in glazes to produce a particular color or texture. [11] Glaze components are more likely to be leached into the environment when non-recycled ceramic products are exposed to warm or acidic water. [14] Leaching of heavy metals occurs when ceramic products are glazed incorrectly or damaged. [14]
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