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Vinča figurine, Cleveland Museum of Art There exist several divisions of the culture, according to J. Chapman (1981) it can be divided into two main phases divided into four sub-phases (A-D), closely linked with those of its type site Vinča-Belo Brdo and dated between 5700 and 4200 BC.
At the site, on the Maros river, a feeder into a tributary of the Danube, female figurines, pots, and artifacts made of stone were also found. [8] In 1908, a similar cache was found during excavations directed by Serbian archaeologist Miloje Vasić (1869–1956) in Vinča , a suburb of Belgrade , some 245 km (152 mi) from Turdaș. [ 9 ]
This statuette is anthropomorphic, or human-shaped, and is presumed to have been used for ritual purposes. The use of red paint is typical of Vinca Neolithic figurines, and few have survived in such excellent condition.
Vidovdanka is a Late Mesolithic anthropomorphic figurine made of terracotta regarded as symbol of the Vinča culture, which flourished in prehistoric Serbia in 5500 BC. It was excavated at 6.2 metres (20 ft) deep in Vinča, Serbia on the day of Vidovdan (hence the name) in 1930. It stands 30.7 centimetres (12.1 in) tall. [1]
The figurines found not only represent deities but many show the daily life of the inhabitants while crude pottery finds appear to have been made by children. Women are depicted in short tops and skirt wearing jewellery. [ 1 ]
These figurines show female bodies combined with a bird's head. The interpretation as " goddess " is part of Gimbutas' program of feminist archaeology depicting the European Neolithic as a " gynocentric " culture that would be ousted by the " patriarchal " Indo-European cultures with the onset of the Bronze Age .
The central, larger figurines are somewhat more meticulously produced. They have a spherically modeled heads and the round shoulders are properly sculptured. Their body resembles the typical shape of Vinča figurines and the front seems to represent some kind of stylish dress. The surface is coated with slip and much more carefully crafted. [10]
The sanctuary has been dated to around 5000 BC and is considered part of the Vinča culture. [1] It is part of a wider complex of buildings and domestic settlement. [2] The sanctuary building had raised altar-like pedestals and life-size figurine heads together with specially built granary areas. [3]
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