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Gill Saunders and Rosie Miles Prints Now: Directions and Definitions Victoria and Albert Museum (May 1, 2006) ISBN 1-85177-480-7; Antony Griffiths, Prints and Printmaking, British Museum Press, 2nd ed, 1996 ISBN 0-7141-2608-X; Linda Hults The Print in the Western World: An Introductory History. Madison: University of Wisconsin Press, 1996.
A common cause of holes in Japanese woodblock prints is the deathwatch beetle (Xestobium rufovillosum). These beetles were commonly found in wood used to build furniture in the Edo period. Woodblock prints that were stored on bookshelves, or other furniture infested with these beetles, also became infested themselves. [5]
It is a part of a series of three huge prints created for Maximilian, the others being a Triumphal Procession (1516–18, 137 woodcut panels, 54 metres (177 ft) long) which is led by a Large Triumphal Carriage (1522, 8 woodcut panels, 8 × 1.5 feet (244 × 46 cm)); only the Arch was completed in Maximilian's lifetime and distributed as ...
Woodcut is a relief printing technique in printmaking. An artist carves an image into the surface of a block of wood—typically with gouges—leaving the printing parts level with the surface while removing the non-printing parts. Areas that the artist cuts away carry no ink, while characters or images at surface level carry the ink to produce ...
Before the advent of photolithography, newspapers used wood engravings to make photographic reproductions. An artist "meticulously traced the photograph upon the surface of a block of boxwood or other suitable tree, then used a sharp tool to cut out the troughs (the white part of the photo) from the wood. The remaining lines for the black ink ...
Karhu's prints are different in style from ukiyo-e in two ways. First, Karhu used thicker and more blocky lines to contour shapes than the fine graphic lines in traditional ukiyo-e. Second, the colors in his prints appear more saturated than in typical ukiyo-e – even than ones from the Meiji era, which used synthetic (rather than natural ...
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