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This is a list by date of birth of historically recognized American fine artists known for the creation of artworks that are primarily visual in nature, including traditional media such as painting, sculpture, photography, and printmaking, as well as more recent genres, including installation art, performance art, body art, conceptual art, digital art and video art.
Detroit, as seen from Windsor, Canada. The following is a list of people from Detroit, Michigan. ... Art Clokey [212] Francis Ford Coppola [213] Roger Corman [214]
This list applies only to works of public art accessible in an outdoor public space. For example, this does not include artwork visible inside a museum. Additional works can be found at: Smithsonian American Art Museum, Art Inventories Catalog - database for Detroit; The Detroit Museum of Public Art - A catalog of Detroit sculptures and murals.
What appears to be the work of Detroit graffiti artist, who goes by the name of BVIS, was sprayed on concrete construction materials and was spotted near the Interstate 696 service drive in ...
This page was last edited on 6 February 2024, at 21:57 (UTC).; Text is available under the Creative Commons Attribution-ShareAlike 4.0 License; additional terms may apply.
Dare (graffiti artist) (1968-2010) real name Sigi (Siegfried) von Koeding, was a Swiss graffiti artist and curator Harald Naegeli (born December 4, 1939) – known as the "Sprayer of Zurich" after the graffiti he sprayed in the late 1970s
1956 - Electric streetcar service discontinued on Detroit's last line along Woodward Avenue. [25] 1958 Wayne State University's McGregor Memorial Conference Center built. [17] [26] The Spirit of Detroit statue is dedicated. [27] 1959 - Pavilion Apartments built in Lafayette Park. 1960 Motown Records in business. [14] Cobo Hall convention center ...
A heavily tagged subway car in New York City in 1973. By the mid-1970s, most standards had been set in graffiti writing and culture. The heaviest "bombing" in U.S. history took place in this period, partially because of the economic restraints on New York City, which limited its ability to combat this art form with graffiti removal programs or transit maintenance.