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Symmetrical voice, also known as Austronesian alignment, the Philippine-type voice system or the Austronesian focus system, is a typologically unusual kind of morphosyntactic alignment in which "one argument can be marked as having a special relationship to the verb". [1]
A motive is the cause that moves people to induce a certain action. [1] In criminal law, motive in itself is not an element of any given crime; however, the legal system typically allows motive to be proven to make plausible the accused's reasons for committing a crime, at least when those motives may be obscure or hard to identify with.
The Malay language, a Malayo-Polynesian language alongside the Philippine languages, has had an immense influence on many of the languages of the Philippines. This is because Old Malay used to be the lingua franca throughout the archipelago, a good example of this is Magellan's translator Enrique using Malay to converse with the native ...
In criminal law, mens rea (/ ˈ m ɛ n z ˈ r eɪ ə /; Law Latin for "guilty mind" [1]) is the mental state of a defendant who is accused of committing a crime. In common law jurisdictions, most crimes require proof both of mens rea and actus reus ("guilty act") before the defendant can be found guilty.
In linguistics, focus (abbreviated FOC) is a grammatical category that conveys which part of the sentence contributes new, non-derivable, or contrastive information. In the English sentence "Mary only insulted BILL", focus is expressed prosodically by a pitch accent on "Bill" which identifies him as the only person whom Mary insulted.
The Philippines is one of the most linguistically diverse countries in the world. With 175 distinct native languages (sometimes incorrectly termed dialects), it has about 3% of the world's languages, yet only 0.2% of Earth's land area, making the Philippines 15 times more diverse than average in terms of language diversity. [14]
Manide is a reduced-focus language because it primarily uses mag-for the actor focus and -an for the location focus, while -en takes place of the functions from Proto Malayo Polynesian *-ən and *i-, thus marking object focus. [2] There are two present forms, with the first being possessive. The second present form is used for habitual functions.
In literary theory and aesthetics, authorial intent refers to an author's intent as it is encoded in their work. Authorial intentionalism is the hermeneutical view that an author's intentions should constrain the ways in which a text is properly interpreted. [ 1 ]