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Today the formal patterns of classical Greek sculpture, its humanism and emphasis on the nude have found a new way to impress society, influencing the conception of beauty and practices regarding the body, resurrecting a cultivation of the physical that was born with the Greeks and influences various customs related to sexuality and the concept ...
The Group of Aphrodite, Pan and Eros (Greek: Αφροδίτη, Παν και Έρως) is an ancient marble Greek sculpture of the first century BC depicting the goat-legged god Pan trying to woo Aphrodite, the goddess of love and desire, unsuccessfully.
Riders from the Parthenon Frieze, around 440 BC. The sculpture of ancient Greece is the main surviving type of fine ancient Greek art as, with the exception of painted ancient Greek pottery, almost no ancient Greek painting survives.
The Aphrodite of Knidos (or Cnidus) was an Ancient Greek sculpture of the goddess Aphrodite created by Praxiteles of Athens around the 4th century BC. It was one of the first life-sized representations of the nude female form in Greek history, displaying an alternative idea to male heroic nudity.
Roman bronze reproduction of Myron's Discobolus, 2nd century AD (Glyptothek, Munich) 3D model of a replica at National Gallery of Denmark, Denmark.. The Discobolus by Myron ("discus thrower", Greek: Δισκοβόλος, Diskobólos) is an ancient Greek sculpture completed at the start of the Classical period in around 460–450 BC that depicts an ancient Greek athlete throwing a discus.
Polykleitos: The Doryphoros, the summary of the aesthetic idealism of Classicism. The sculpture of Classicism, the period immediately preceding the Hellenistic period, was built on a powerful ethical framework that had its bases in the archaic tradition of Greek society, where the ruling aristocracy had formulated for itself the ideal of arete, a set of virtues that should be cultivated for ...
The Ancient Greek word kouros (κοῦρος) refers to "youth, boy, especially of noble rank."[5] When a pubescent was received into the body of grown men, as a grown Kouros, he could enter the initiation fest of the brotherhood (phratry, φρατρία).
In bronze sculpture, the Minoans showed great skill, having developed the lost-wax technique, [9] and the period is particularly important because it consolidated a whole mythical process around the creative process, personified in the figures of the god Hephaestus, the masterful craftsman, and Daedalus, a legendary character who is credited ...
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