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Obituary poetry, in the broad sense, includes poems or elegies that commemorate a person's or group of people's deaths. In its stricter sense, though, it refers to a genre of popular verse or folk poetry that had its greatest popularity in the nineteenth century, especially in the United States of America .
In addition to its inclusion among the many translations of Catullus' collected poems, Catullus 101 is featured in Nox (2010), a book by Canadian poet and classicist Anne Carson that comes in an accordion format within a box. Nox concerns the death of Carson's own brother, to which the poem of Catullus offers a parallel. Carson provides the ...
Jan Kochanowski with his dead daughter in a painting by Jan Matejko inspired by the poet's Threnodies. A threnody is a wailing ode, song, hymn or poem of mourning composed or performed as a memorial to a dead person.
It is a scene of desolation and despair. The wind moans in a grief that cannot be expressed in words; the rain storm billows in vain; the trees are barren and their branches strain under the unceasing onslaught. A gloom pervades the world. A dirge is a song meant to invoke and express the emotions of grief and mourning that are typical of a ...
The poem discusses proper decorum in the wake of the death of a young woman, described as "the queenliest dead that ever died so young". The poem concludes: "No dirge shall I upraise,/ But waft the angel on her flight with a paean of old days!" Lenore's fiancé, Guy de Vere, finds it inappropriate to "mourn" the dead; rather, one should ...
In the implicit comparison of a grieving human being with a waiting cat, the poem poses the question for Lütvogt as to whether the reader wants to exchange the hope of the cat for the hopelessness of the human being or whether, on the contrary, the human being's ability to actively come to terms with a situation is preferable to the ...
The first line of the poem, "I heard a fly buzz– when I died–" is intended to garner the attention of the reader. [4] Readers are said to be drawn to continue the poem, curious as to how the speaker is talking about her own death. [4] The narrator then reflects on the moments prior to the very moment she died. [1]
The 37-line poem reads like a series of disasters that will befall the English people after the death of the king. According to Lois Bragg, it is divisible into six sections, the last four of which share the theme of disaster: ll. 1–2, the death of King Edgar; ll. 13–15, the death of bishop Cyneweard of Glastonbury