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Hirado ware (Japanese: 平戸焼, Hepburn: hirado-yaki) is a type of Japanese porcelain mostly made at kilns at Mikawachi, Sasebo, Nagasaki, and it is therefore also known as Mikawachi ware (三川内焼, Mikawachi-yaki).
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Dutch delftware vase in a Japanese style, c. 1680 "Blue and white pottery" (Chinese: 青花; pinyin: qīng-huā; lit. 'Blue flowers/patterns') covers a wide range of white pottery and porcelain decorated under the glaze with a blue pigment, generally cobalt oxide.
In addition to the colored painting known as "Iro-Nabeshima," occasionally "blue-and-white" designs using cobalt blue, celadon or a rusty glaze are known to exist. The most common "Iro-Nabeshima" is a technique in which a design is painted over a vessel with a blue-and-white design, and then the vessel is fired again with a low-temperature ...
Most are thick porcelain table ware with blue cobalt paintings. Tokoname ware: 常滑焼: Tokoname, Aichi: Most are flower vases, rice bowls, or teacups. Tsuboya ware: 壺屋焼: Tsuboya, Naha: A form of Ryukyuan pottery. Most are thick porcelain table ware with blue cobalt paintings. Zeze ware: 膳所焼: Ōtsu, former Zeze domain
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Imari ware bowl, stormy seascape design in overglaze enamel, Edo period, 17th–18th century. Imari ware (Japanese: 伊万里焼, Hepburn: Imari-yaki) is a Western term for a brightly-coloured style of Arita ware (有田焼, Arita-yaki) Japanese export porcelain made in the area of Arita, in the former Hizen Province, northwestern Kyūshū.
The collection is one of eight assembled by Nasser D. Khalili, each of which is considered among the most important in its field. [12] [13] Three of them include works from Japan: the collection of Japanese art, the Khalili Collection of Kimono, and the Khalili Collection of Enamels of the World.
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