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Miguel de Unamuno y Jugo (/ uː n ə ˈ m uː n oʊ /; Spanish: [miˈɣ̞el ð̞e̞ unaˈmuno i ˈxuɣ̞o]; 29 September 1864 – 31 December 1936) was a Spanish essayist, novelist, poet, playwright, philosopher, professor of Greek and Classics, and later rector at the University of Salamanca.
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Augusto reminds Unamuno that he might be just a character in one of God's dreams. Augusto returns to his home and dies. Whether or not he is killed by Unamuno or commits suicide is a subject of debate and is mostly down to the reader's opinion. The book ends with the author himself debating himself about bringing back the character of Augusto.
Kazimierz Przyboś, Posłowie, [in:] Miguel de Unamuno, Pokój wśród wojny, Kraków 1975, pp. 295-304; Jean-Claude Rabaté, L'itinéraire romanesque du jeune Miguel de Unamuno (de 'Paz en la Guerra á Niebla'), [in:] Christian de Paepe, Nicole Delbecque (eds.), Estudios en honor del profesor Josse de Kock, Paris 1998, ISBN 9061869129, pp. 727-742
San Manuel Bueno, mártir (1931) is a short novel by Miguel de Unamuno (1864–1936). It experiments with changes of narrator as well as minimalism of action and of description, and as such has been described as a nivola, a literary genre invented by Unamuno to describe his work.
Abel Sánchez: A Story of Passion (Spanish: Abel Sánchez: Una historia de pasión) is a 1917 novel by Miguel de Unamuno. Abel Sanchez is a re-telling of the story of Cain and Abel set in modern times, which uses the parable to explore themes of envy .
The main goals of the journey were to find the purported islands of Rica de Oro, Rica de Plata and Armenio (which Unamuno concluded did not exist), [1] and also the profitable transport of Chinese goods to New Spain (which was a violation, like Gali's voyage three years earlier, of the monopoly accorded by the Spanish Crown to the Manila galleons).
The term nivola appears for the first time as a subtitle for Unamuno's book Niebla.With this term, the writer was trying to express his rejection of the dominant principles of realism as expressed in novels: the psychological characterization of the characters, the realistic environments, and the third-person omniscient narrator.