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It should only contain pages that are Benny Goodman songs or lists of Benny Goodman songs, as well as subcategories containing those things (themselves set categories). Topics about Benny Goodman songs in general should be placed in relevant topic categories .
Jon Hancock: " Benny Goodman – 'The Famous 1938 Carnegie Hall Jazz Concert' ". ISBN 0-95-624040-2, Prancing Fish Publishing (May 2009) Irving Kolodin: Liner Notes (Benny Goodman – Carnegie Hall Concert) Catherine Tackley: 'Benny Goodman's Famous 1938 Carnegie Hall Jazz Concert', Oxford: Oxford University Press 2013 ISBN 978-0-19-539831-1
The session resulted in the song "When I First Met Mary", which also included Glenn Miller, Harry Goodman, and Ben Pollack. [14] In a Victor recording session on March 21, 1928, he played alongside Miller, Tommy Dorsey , and Joe Venuti in the All-Star Orchestra directed by Nathaniel Shilkret .
The Complete RCA Victor Small Group Recordings is a 1997 compilation 3-CD set of sessions led by jazz clarinetist Benny Goodman, and recorded for the RCA Victor label between 1935 and 1939. Reception [ edit ]
Goodman used "Let's Dance" as an opening for almost all of his performances, eventually becoming his official theme song. [1] The song was composed by Gregory Stone and Joseph Bonime, with lyrics written by Fanny May Baldridge. Goodman never recorded the theme with the lyrics, although The Modernaires recorded it in a tribute to him in 1954. [2]
On July 6, 1937, "Sing, Sing, Sing" was recorded in Hollywood with Benny Goodman on clarinet; Gene Krupa on drums; Harry James, Ziggy Elman, and Chris Griffin on trumpets; Red Ballard and Murray McEachern on trombones; Hymie Schertzer and George Koenig on alto saxophones; Art Rollini and Vido Musso on tenor saxophone; Jess Stacy on piano; Allan Reuss on guitar; and Harry Goodman on bass.
Lyrics were written by Eddie DeLange. Although the musical was a disappointment, Benny Goodman's version of the song featuring vocalist Mildred Bailey was a number one hit. [188] "Frenesi" [4] [189] [190] is a Latin jazz composition by Alberto Dominguez. Originally composed for the marimba, jazz arrangements were later made by Leonard Whitcup ...
Miller arranged the song for a February 9, 1931 recording under the direction of Benny Goodman in New York with the Charleston Chasers which was released as a 78 single as Columbia 2415-D and Okeh 41577. Miller wrote the following additional verse to the song in collaboration with Jack Teagarden, which was incorporated in later recordings of ...
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