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B. B. King (1925–2015) was an American blues musician whose recording career spanned 1949–2008. As with other blues contemporaries, King's material was primarily released on singles until the late 1950s–early 1960s, when long playing record albums became more popular.
His Definitive Greatest Hits is a compilation album by American blues musician B.B. King. It was produced, sequenced & compiled by Richard M. Ganter and released on April 12, 1999, by Polygram Records .
Riley B. King (September 16, 1925 – May 14, 2015), known professionally as B. B. King, was an American blues guitarist, singer, songwriter, and record producer. He introduced a sophisticated style of soloing based on fluid string bending, shimmering vibrato, and staccato picking that influenced many later electric guitar blues players.
Many blues songs were developed in American folk music traditions and individual songwriters are sometimes unidentified. [1] Blues historian Gerard Herzhaft noted: In the case of very old blues songs, there is the constant recourse to oral tradition that conveyed the tune and even the song itself while at the same time evolving for several decades.
Renditions by Muddy Waters and B.B. King made the song well-known. When B.B. King's recording of "Rock Me Baby" was released in 1964, it became his first single to reach the Top 40 in Billboard magazine's Hot 100 chart. In 2022, King's recording was inducted into the Blues Hall of Fame in the 'Classics of Blues Recording – Singles' category. [3]
Live at the Regal is a 1965 live album by American blues guitarist and singer B.B. King.It was recorded on November 21, 1964, at the Regal Theater in Chicago.The album is widely heralded as one of the greatest blues albums ever recorded and was ranked at number 141 in Rolling Stone ' s 2003 edition of the 500 Greatest Albums of All Time list, [6] before dropping to number 299 in a 2020 ...
The Best of the Early Years is a 2007 Blues compilation album by B.B. King. This "Best of" collection was created from master recordings from King's works from the 1950s and 1960s. This "Best of" collection was created from master recordings from King's works from the 1950s and 1960s.
The New York Times panned the first side of Love Me Tender, calling it "bland, countrypolitan elevator music," but thought more highly of side two's "first-rate after-hours blues." [7] The Globe and Mail wrote that "the singing is lugubrious, the playing is by rote, and the sound is so lush that King can barely be heard above it." [8]