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The period between 1876 and 1882 was the most productive for Morris; he created sixteen different wallpaper designs. In his wallpapers of this period, he reverted to more naturalistic themes, somewhat less three-dimensional than his earlier work, but with an exceptional harmony and rhythm, as in his designs Poppy (1885) and Acorn.
Green, (such as pea green and drab), yellow, pink, and orange (such as peach and saffron) hues were popular for wallpaper, carpets, curtains, sofas, chair seats, and cushions, often with patterns or bright flowers. English decorator David Hicks was an important influence on interiors in the 1960s, inspired by bright colours associated with ...
Here, Paris design duo Le Berre Vevaud pared down the formal dining room of this 19th-century loft with a playful monkey sconce from Seletti and a foliage-rich wallpaper from Besson.
Some of his wallpaper designs and some watercolour copies of Botticelli works survive in the collection at the Victoria and Albert Museum. [3] [4] He wrote and published widely on the decorative arts and particularly encouraged the study of design through examination of museum exhibits. [5]
The Museum of Domestic Design and Architecture (MoDA) was a museum in North London, England, housing one of the most comprehensive collections of 19th- and 20th-century decorative arts for the home. The collections included the Silver Studio collection of designs for wallpapers and textiles, the Charles Hasler collection, and the Crown ...
Maya Romanoff (born Richard Romanoff; [1] [2] June 30, 1941 – January 15, 2014) was an American artist, inventor, and director of the Maya Romanoff Corporation, a manufacturer of wall covering and surfacing materials. [3]
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