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Chinese paper-cutting originated from the practice of worship of both ancestors and gods, a traditional part of Chinese culture dating back roughly two millennia. According to archaeological records, paper-cutting originates from the 6th century, although some believe that its history could be traced back as far as the Warring States period (around 3 BC), long before paper was invented.
Chinese paper cutting, in a style that is practically identical to the original 6th-century form. Jianzhi (Chinese: 剪紙, pinyin: jiǎnzhǐ) is a traditional style of papercutting in China, and it originated from cutting patterns for rich Chinese embroideries and later developed into a folk art in itself.
In the United States, the term kirigami was coined by Florence Temko from Japanese kiri, ' cut ', and kami, ' paper ', in the title of her 1962 book, Kirigami, the Creative Art of Paper cutting. The book achieved enough success that the word kirigami was accepted as the Western name for the art of paper cutting. [1]
Origami paper, often referred to as "kami" (Japanese for paper), is sold in prepackaged squares of various sizes ranging from 2.5 cm (1 in) to 25 cm (10 in) or more. It is commonly colored on one side and white on the other; however, dual coloured and patterned versions exist and can be used effectively for color-changed models.
Three patterns for pants (2022) Pattern making is taught on a scale of 1:4, to conserve paper. Storage of patterns Fitting a nettle/canvas-fabric on a dress form. In sewing and fashion design, a pattern is the template from which the parts of a garment are traced onto woven or knitted fabrics before being cut out and assembled.
Shanghai-style papercutting is a variety of papercutting practiced in south China, and in particular in Shanghai.. The making of papercuts is a popular folk art in China. In the hands of an artisan, and with the help of a knife or a pair of scissors, a piece of paper can be turned into any of a wide variety of patterns – landscapes, flowers, birds, animals and human figures.
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