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A blackout curtain used in Auckland, New Zealand during World War II. Lights can simply be turned off or light can sometimes be minimized by tarring the windows of large public structures. In World War II, a dark blackout curtain was used to keep the light inside. Tarring the windows can mean a semi-permanent blackout status.
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George Strock (July 3, 1911 – August 23, 1977) was a photojournalist during World War II when he took a picture of three American soldiers who were killed during the Battle of Buna-Gona on the Buna beach. It became the first photograph to depict dead American troops on the battlefield to be published during World War II.
In the Face of Obstacles-Courage, US WWII propaganda poster. In 1942, he was chosen as the War Department artist during World War II. [1] [2] Schlaikjer painted posters for recruitment, war bonds, the Red Cross, the infantry, the Signal Corps, Military Police, the Army Air Force, the Marines, the Navy, and the Women's Army Corps.
An American propaganda poster promoting war bonds, depicting Uncle Sam leading the United States Armed Forces into battle. During American involvement in World War II (1941–45), propaganda was used to increase support for the war and commitment to an Allied victory.
The poster was displayed throughout the United States in public areas such as schools, libraries, post offices and factories. It helped to instill patriotism during the Second World War and has been called one of the most recognized and enduring posters produced during the World War II era.
In all some 1.5 million men and women served within the organisation during World War Two. Over 127,000 full-time personnel were involved at the height of the Blitz but by the end of 1943 this had dropped to 70,000.
At Ease: Navy Men of World War II. New York: Harry N. Abrams, 2004. ISBN 978-0-8109-4805-1. By Evan Bachner. With work by Miller, Horace Bristol, Victor Jorgensen, and Barrett Gallagher. Chicago Photographs: LaSalle Bank Photography Collection. Chicago, Ill.: LaSalle Bank, 2004. ISBN 0-9702452-3-8. By Carol Ehlers. Includes work by Miller.
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