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The Beauty of Fractals is a 1986 book by Heinz-Otto Peitgen and Peter Richter which publicises the fields of complex dynamics, chaos theory and the concept of fractals. It is lavishly illustrated and as a mathematics book became an unusual success. The book includes a total of 184 illustrations, including 88 full-colour pictures of Julia sets.
In mathematics, a chaotic map is a map (an evolution function) that exhibits some sort of chaotic behavior.Maps may be parameterized by a discrete-time or a continuous-time parameter.
Pietronero argues that the universe shows a definite fractal aspect over a fairly wide range of scale, with a fractal dimension of about 2. [3] The fractal dimension of a homogeneous 3D object would be 3, and 2 for a homogeneous surface, whilst the fractal dimension for a fractal surface is between 2 and 3.
The second book of the Mode series by Piers Anthony, Fractal Mode, describes a world that is a perfect 3D model of the set. [49] The Arthur C. Clarke novel The Ghost from the Grand Banks features an artificial lake made to replicate the shape of the Mandelbrot set. [50]
Fractal patterns have been modeled extensively, albeit within a range of scales rather than infinitely, owing to the practical limits of physical time and space. Models may simulate theoretical fractals or natural phenomena with fractal features.
Heighway dragon curve. A dragon curve is any member of a family of self-similar fractal curves, which can be approximated by recursive methods such as Lindenmayer systems.The dragon curve is probably most commonly thought of as the shape that is generated from repeatedly folding a strip of paper in half, although there are other curves that are called dragon curves that are generated differently.
Islamic geometric patterns are reminiscent of fractal art, as on the main dome of Selimiye Mosque in Edirne, Turkey, with self-similar patterns. Fractal art is a form of algorithmic art created by calculating fractal objects and representing the calculation results as still digital images, animations, and media.
The fractal, self-similar nature of the spectrum was discovered in the 1976 Ph.D. work of Douglas Hofstadter [1] and is one of the early examples of modern scientific data visualization. The name reflects the fact that, as Hofstadter wrote, "the large gaps [in the graph] form a very striking pattern somewhat resembling a butterfly." [1]