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Musical technique may also be distinguished from music theory, in that performance is a practical matter, but study of music theory is often used to understand better and to improve techniques. Techniques such as intonation or timbre, articulation, and musical phrasing are nearly universal to all instruments.
Pages in category "Musical techniques" The following 123 pages are in this category, out of 123 total. This list may not reflect recent changes. ...
The New Grove Dictionary of Music and Musicians, second edition, edited by Stanley Sadie and John Tyrrell. London: Macmillan Publishers. Favre, Georges, and Thomas Betzwieser. 2001. "Boieldieu, (François-)Adrien". The New Grove Dictionary of Music and Musicians, second edition, edited by Stanley Sadie and John Tyrrell. London: Macmillan ...
Pages in category "Musical performance techniques" The following 34 pages are in this category, out of 34 total. This list may not reflect recent changes. 0–9.
Musicians in free improvisation have also made heavy use of extended techniques. Examples of extended techniques include bowing under the bridge of a string instrument or with two different bows, using key clicks on a wind instrument, blowing and overblowing into a wind instrument without a mouthpiece, or inserting objects on top of the strings ...
The twelve-tone technique—also known as dodecaphony, twelve-tone serialism, and (in British usage) twelve-note composition—is a method of musical composition.The technique is a means of ensuring that all 12 notes of the chromatic scale are sounded equally often in a piece of music while preventing the emphasis of any one note [3] through the use of tone rows, orderings of the 12 pitch classes.
According to Andranik Tangian, [7] analytical phrasing can be quite subjective, the only point is that it should follow a certain logic. For example, Webern’s Klangfarbenmelodie-styled orchestral arrangement of Ricercar from Bach’s Musical offering demonstrates Webern’s analytical phrasing of the theme, which is quite subjective on the one hand but, on the other hand, logically consistent:
Stringed instruments use different techniques such as bowing, picking, or a technique by plucking the strings with the hand. This technique is called pizzicato . String instruments use these methods to achieve different articulations, varying the speed, pressure, and angle of the bow or pick.
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