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The New Gulliver (Russian: Новый Гулливер, Novyy Gullivyer) is a Soviet stop motion-animated cartoon, and the first to make such extensive use of puppet animation, running almost all the way through the film (it begins and ends with short live-action sequences).
The New Gulliver was released in 1935 to widespread acclaim and earned Ptushko a special prize at the International Cinema Festival in Milan. After the success of The New Gulliver, Ptushko was allowed by Mosfilm to set up his own department, which became known as "the Ptushko Collective," for the making of stop motion animated films. This group ...
1935: Aerograd: Аэроград ... The New Gulliver: ... Soviet films of 1935 at the Internet Movie Database This page was last edited on 2 February 2024, at 16:55 ...
1935 The New Gulliver Новый Гулливер: Soviet Union: Aleksandr Ptushko: Mosfilm: Stop motion/Live action: Combines live-action with animation, and the first animated feature film to be made in the Soviet Union. March 25, 1935 () 1937 The Tale of the Fox Le Roman de Renard: France: Ladislas Starevich: Stop motion
1935: Chapaev: Georgi Vasilyev and Sergei Vasilyev: Soviet Union The New Gulliver: Aleksandr Ptushko: The Youth of Maxim: Grigori Kozintsev and Leonid Trauberg: Crime and Punishment: Pierre Chenal: France Le Dernier Milliardaire: René Clair: Maria Chapdelaine: Julien Duvivier: La Maternelle: Jean Benoît-Lévy and Marie Epstein: The Man Who ...
In 1935, Aleksandr Ptushko directed The New Gulliver, one of the world's first full-length animated movies that combined detailed stop motion with a live actor (a 15-year-old boy). The film featured from 1,500 to 3,000 different puppets with detachable heads and various facial expressions, as well as camera and technical tricks.
The 7th National Board of Review Awards were announced on 16 December 1935. Best American Films The Informer ... The New Gulliver; Peasants; Thunder in the East;
A 1935 children's fantasy movie The New Gulliver combined live action with stop-motion animation. Fantasy, mythology and folklore were often present in Soviet film and animation, especially children's. Most films were adaptations of traditional fairy tales and myths, both Russian and foreign.