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Chinese art : a guide to motifs and visual imagery. Boston, US: Tuttle Publishing. ISBN 978-1-4629-0689-5. OCLC 893707208. Williams, Charles (2006). Chinese symbolism and art motifs : a comprehensive handbook on symbolism in Chinese art through the ages. New York: Tuttle Pub. ISBN 978-1-4629-0314-6. OCLC 782879753
The work portrays six trees along a riverbank, a metaphor for the principled seclusion of virtuous gentlemen in an era of violent upheaval and foreign occupation. As the first of Ni Zan’s paintings to demonstrate the stark, minimalist style for which he is known, Six Gentlemen marked a turning point in his artistic career.
Chinese art is visual art that originated in or is practiced in China, Greater China or by Chinese artists. Art created by Chinese residing outside of China can also be considered a part of Chinese art when it is based on or draws on Chinese culture , heritage, and history.
Xia Gui (Song dynastic era) – Mountain Market- Clear with Rising Mist, one of the 8 scenarios.. The Eight Views of Xiaoxiang is thematically part of a greater tradition. . Generally, it is a theme that as artistically rendered in painting and poetry tends towards the expression of an underlying deep symbolism, such as exile and enlighten
Many great works of art and literature originated during the period, and the Qianlong emperor in particular undertook huge projects to preserve important cultural texts. The novel form became widely read and perhaps China's most famous novel, Dream of the Red Chamber , was written in the mid-eighteenth century.
The Six principles of Chinese painting were established by Xie He in "Six points to consider when judging a painting" (繪畫六法, Pinyin:Huìhuà Liùfǎ) from the preface to his book The Record of the Classification of Old Painters (古畫品錄; Pinyin: Gǔhuà Pǐnlù) written circa 550 and refers to "old" and "ancient" practices. The six ...
Yan Liben was the personal portraitist to the Emperor Taizong, and his most notable works include the Thirteen Emperors Scroll (歷代帝王圖).The art and painting of this period were also marked by the foreign influences. The Chinese imagination has always been enriched by the regions lying to China’s north and west. [9]
Zhong Kui (Chinese: 鍾馗; pinyin: Zhōng Kuí; Korean: 종규, romanized: Jonggyu; Japanese: 鍾馗, romanized: Shōki; Vietnamese: Chung Quỳ) is a Taoist deity in Chinese mythology, traditionally regarded as a vanquisher of ghosts and evil beings. He is depicted as a large man with a big black beard, bulging eyes, and a wrathful expression.