Ad
related to: greatest flamenco guitaristsebay.com has been visited by 1M+ users in the past month
Search results
Results from the WOW.Com Content Network
This page was last edited on 6 November 2024, at 22:52 (UTC).; Text is available under the Creative Commons Attribution-ShareAlike 4.0 License; additional terms may apply.
Spanish flamenco guitarists (56 P) Pages in category "Flamenco guitarists" The following 41 pages are in this category, out of 41 total.
Sabicas was one of flamenco's greatest guitarists, not only as a technician, but also as a composer. He played flamenco at a previously unimaginable level and created new techniques, opening up new possibilities for the solo instrument.
In one of these performances at the Persian Room, Escudero tripped on someone´s foot, falling on top of his guitar, smashing it beyond repair. Escudero got up, went back stage, got a replacement guitar, and returned to complete the show to a standing ovation. [35] In 1956, Escudero made four records: "Mario Escudero and his flamenco guitar" [36]
Roni Benisek, best known as Benise, is an American guitarist who describes his style as "Spanish guitar" or "nouveau flamenco." After growing up in Ravenna, Nebraska, Benise moved to Los Angeles, California, to pursue rock stardom. After hearing flamenco music on the radio, he switched from electric guitar to nylon-stringed classical guitar. [1]
Paco de Lucía was born on 21 December 1947 [5] as Francisco Sánchez Gómez in Algeciras, [6] province of Cádiz, in southern Spain.He was the youngest of the five children of flamenco guitarist Antonio Sánchez Pecino and Portuguese mother Lucía Gomes; [7] his brothers include flamenco singer Pepe de Lucía and flamenco guitarist Ramón de Algeciras (now deceased).
He was the nephew of renowned flamenco guitarist Ramón Montoya. He first learned from his mother, "la Tula", and then from a neighboring barber, Pepe el Barbero, i.e. Pepe the Barber. After one year Montoya had completed what Pepe was able to teach him. Carlos left to learn what he could from other flamenco guitarists of the time.
Common to almost all flamenco guitars, Gerundinos have clear plastic "tap plates" or golpeadores, close to the sound hole, where the guitarist can strike his/her nails and knuckles to create the percussive effects which are essential to and idiosyncratic of flamenco guitar playing. In flamenco playing, the guitar acts as much as a rhythm ...
Ad
related to: greatest flamenco guitaristsebay.com has been visited by 1M+ users in the past month