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The Seven Deadly Sins and the Four Last Things is a painting attributed to the Early Netherlandish artist Hieronymus Bosch [1] [2] or to a follower of his, [3] completed around 1500 or later. Since 1898 its authenticity has been questioned several times.
Fraenger, Wilhelm (1994) Hieronymus Bosch, Basel: The Gordon and Breach Publishing Group G+B Arts International, ISBN 976-6410-40-2, p. 267, as The Table of Wisdom, formerly known as The Seven Deadly Sins.
[7] [44] [45] The BRCP has also questioned whether two well-known paintings traditionally accepted to be by Bosch, The Seven Deadly Sins in the Prado and Christ Carrying the Cross in the Museum of Fine Arts, Ghent should instead be credited to the artist's workshop rather than to the painter's own hand. [46]
Camille Benoit donated it in 1918. The Louvre restored it in 2015. The surviving painting is a fragment of a triptych that was cut into several parts. This piece, originally part of a larger body of work relating to the seven deadly sins, depicts the sin of gluttony. [1]
The Seven Deadly Sins and the Four Last Things c. 1510–1520 Oil on wood 120 × 150 cm Museo del Prado, Madrid, Spain Bosch's authorship is disputed. The Last Judgment (fragment) c. 1530–1540 Oil on wood 60 × 114 cm Alte Pinakothek, Munich, Germany Fragment of a lost triptych. Bosch's authorship is disputed. The Conjurer c. 1530–1540 Oil ...
Animals are shown punishing humans, subjecting them to nightmarish torments that may symbolise the seven deadly sins, matching the torment to the sin. Sitting on an object that may be a toilet or a throne, the panel's centerpiece is a gigantic bird-headed monster feasting on human corpses, which he excretes through a cavity below him, [ 43 ...
Hieronymus Bosch's 1500 painting The Seven Deadly Sins and the Four Last Things.The four outer discs depict (clockwise from top left) Death, Judgment, Heaven, and Hell. In Christian eschatology, the Four Last Things (Latin: quattuor novissima) [1] are Death, Judgment, Heaven, and Hell, the four last stages of the soul in life and the afterlife.
Death of the Sinner from The Seven Deadly Sins and the Four Last Things. Bosch's familiarity with the visual tradition of the Ars moriendi can also be seen in the top left roundel (pictured) depicting the death of a sinner in The Seven Deadly Sins and the Four Last Things.