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Syllepsis: the use of a word in its figurative and literal sense at the same time or a single word used in relation to two other parts of a sentence although the word grammatically or logically applies to only one. Synecdoche: form of metonymy, referring to a part by its whole, or a whole by its part.
Literal and figurative language is a distinction that exists in all natural languages; it is studied within certain areas of language analysis, in particular stylistics, rhetoric, and semantics. Literal language is the usage of words exactly according to their direct, straightforward, or conventionally accepted meanings : their denotation .
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Some uses of figurative language may be understood as both metonymy and metaphor; for example, the relationship between "a crown" and a "king" could be interpreted metaphorically (i.e., the king, like his gold crown, could be seemingly stiff yet ultimately malleable, over-ornate, and consistently immobile).
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The formal elements, those aesthetic effects created by design, upon which figurative art is dependent, include line, shape, color, light and dark, mass, volume, texture, and perspective, [2] although these elements of design could also play a role in creating other types of imagery—for instance abstract, or non-representational or non-objective two-dimensional artwork.
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In the word "ambigram", the root ambi-means "both" and is a popular prefix in a world of dualities, such as day/night, left/right, birth/death, good/evil. [150] In Wordplay: The Philosophy, Art, and Science of Ambigrams , [ 151 ] John Langdon mentions the yin and yang symbol as one of his major influences to create upside down words.