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The meander is a fundamental design motif in regions far from a Hellenic orbit: labyrinthine meanders ("thunder" pattern [3]) appear in bands and as infill on Shang bronzes (c. 1600 BC – c. 1045 BC), and many traditional buildings in and around China still bear geometric designs almost identical to meanders.
The finest jewelry was still mainly centered and focused in the southern city-states such as; Cerveteri, Tarquinia and Vetulonia. Etruscan Bulla with the Greek mythical figures Daedalus and Icarus. Walters Art Museum, Baltimore. Gorgons, pomegranates, acorns, lotus flowers and palms were a clear indicator of Greek influence in Etruscan jewelry.
In the late 18th century, the tiara came into fashion in Europe as a prestigious piece of jewelry to be worn by women at formal occasions. The basic shape of the modern tiara is a semi-circle, usually made of silver, gold or platinum and richly decorated with precious stones, pearls or cameos .
Girdle of Hippolyta, a girdle that was a symbol of Hippolyta's power over the Amazons, and given to her by Ares. Heracles' 9th Labor was to retrieve it. (Greek mythology) Tyet, the ancient Egyptian symbol of the goddess Isis. It seems to be called "the Knot of Isis" because it resembles a knot used to secure the garments that the Egyptian gods ...
She wears an elaborate dress with the patterns of animals and geometric shapes and wears earrings. Her hair is shown to be bound with three braids worn over her shoulder. Her prominent position may be due to her association with feasts, being the patron of brides, or because a mortal man is marrying a goddess, referencing her own marriage to ...
Jolly, Penny Howell, "Marked Difference: Earrings and 'The Other' in Fifteenth-Century Flemish Artwork," in Encountering Medieval Textiles and Dress: Objects, Texts, Images, Palgrave Macmillan, 2002, pp. 195–208. ISBN 0-312-29377-1. Mascetti, Daniela and Triossi, Amanda, Earrings: From Antiquity to the Present, Thames and Hudson, 1999.
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