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Bernard Howell Leach CH CBE (5 January 1887 – 6 May 1979) was a British studio potter and art teacher. [1] He is regarded as the "Father of British studio pottery ". [ 2 ]
The Leach Pottery was founded in 1920 by Bernard Leach and Shoji Hamada in St Ives, Cornwall, in the United Kingdom. [ 1 ] The buildings grew from an old cow / tin-ore shed in the 19th century to a pottery in the 1920s with the addition of a two-storey cottage added on to the lower end of the pottery, followed by a completely separate cottage ...
The pottery was housed in a Grade II listed building, a stone, three-storey former handloom-weaver's residence at 25 & 27 Main Street. The pottery had a glaze-room, a workshop with a large kiln and wheel and upper and lower showrooms. [1] Shaw produced hand-thrown domestic stoneware of a type pioneered by Bernard Leach in an Arts & Crafts ...
Leading trends in British studio pottery in the 20th century are represented by Bernard Leach, William Staite Murray, Waistel Cooper, Dora Billington, Lucie Rie and Hans Coper. Originally trained as a fine artist, Bernard Leach (1887–1979) established a style of pottery, the ethical pot , strongly influenced by Chinese, Korean, Japanese and ...
Janet Darnell Leach (15 March 1918 – 12 September 1997), was an American studio potter working in later life at the Leach Pottery in St Ives, Cornwall in England. After studying pottery at Black Mountain, North Carolina under Shoji Hamada , a visiting artisan, she traveled to Japan to work with him.
Pottery Bernard Leach, [32] Margaret Leach [33] September 1951 Gold Joe Woodward [34] November 1951 [35] Calligraphy January 1952 [36] Harpsichords, spinets and clavichords March 1952 [37] Printing Mural showing 6,000 year history of the art of printing April 1954 [38] Furniture and pottery Paul Barron (potter), Hugh Birkett (furniture) [39 ...
Bernard Leach is credited with restarting craftsman pottery in Britain in 1920. One of his early students was Michael Cardew who, at 25, was looking for a suitable site for his own pottery and in 1926 rented the old pottery buildings. [3] Influencing his choice were the availability of local clay and the original bottle kiln. Cardew recruited ...
MacKenzie and his first wife, Alix, studied with Bernard Leach from 1949 to 1952. His simple, wheel-thrown functional pottery is heavily influenced by the aesthetic of Shoji Hamada and Korean ceramics. He is credited with bringing the Japanese Mingei style of pottery to Minnesota, fondly referred to as the "Mingei-sota style." [1]
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