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Basket weaving (also basketry or basket making) is the process of weaving or sewing pliable materials into three-dimensional artifacts, such as baskets, mats, mesh bags or even furniture. Craftspeople and artists specialized in making baskets may be known as basket makers and basket weavers .
A woven basket made by Lucy Telles (National Museum of the American Indian) Telles, who learned basket weaving as a child, was well known for her fine basketry during her lifetime. Her innovations in basket weaving had a lasting influence on Yosemite weavers. While traditional Miwok baskets had one color, she used two colors per basket.
To craft a traditional Pomo basket, Somersal would have to dig the roots of the sedge, soak, and dry them to shape before weaving. [6] The tight weave of the Pomo baskets let them to a myriad of uses. Somersal recalled how her mother used the baskets for everything, including cooking acorn mush, gathering water and carrying babies. [5]
Basketweave or Panama weave [1] is a simple type of textile weave. In basketweave, groups of warp and weft threads are interlaced so that they form a simple criss-cross pattern. Each group of weft threads crosses an equal number of warp threads by going over one group, then under the next, and so on.
McKay claimed that weaving, for her, was a spiritual path rather than a craft. [5] She claimed she was strictly instructed by Spirit as to how and what to weave. [5] Because of the sacred nature of her weaving, she usually wove in private. [4] In keeping with Pomo tradition, she used sedge for her baskets and redbud for the red designs.
Making the baskets required great skill and knowledge in collecting and preparing the needed materials. Materials for weaving baskets changed with the seasons and years. The Pomo usually covered a basket completely with the vivid red feathers of the pileated woodpecker until the surface resembled the smoothness of the bird itself.
The lidded nature of uduseke also gives the basket a sense of privacy which speaks to the personal connection between the gifter and the receiver. [3] Agaseke can also symbolize protection for the same reason as the tight stitch and weaving pattern gives ample protection of the contents, often dry foods, from outside conditions and pests.
Stone's basket-making is inspired by natural resources and living off the land. She harvests the black ash by hand through a process of pounding a freshly-cut log until the rings of the tree delaminate into splints of rough material which is then split and processed into strips for weaving.
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