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"Oklahoma" is the title song from the 1943 Broadway musical Oklahoma!, named for the setting of the musical play. The music and lyrics were written by Richard Rodgers and Oscar Hammerstein II . The melody is reprised in the main title of the 1955 film version and in the overtures of both film and musical productions.
"Oh, What a Beautiful Mornin'" is the opening song from the musical Oklahoma!, which premiered on Broadway in 1943. It was written by composer Richard Rodgers and lyricist/librettist Oscar Hammerstein II. The leading male character in Oklahoma!, Curly McLain, sings the song at the beginning of the first scene of the musical. The refrain runs ...
"Words of Love", released by the Diamonds as a 45-rpm single (Mercury 71128X45) in 1957, with a label crediting "Buddy Holley" as the songwriter A doo-wop version by the Diamonds , released by Mercury Records on May 20, 1957, reached number thirteen on the Billboard Hot 100 in July 1957, making the song Holly's first hit, though as a composer ...
Oklahoma! is a 1955 American musical film based on the 1943 musical of the same name by Richard Rodgers and ... his secret love, ... Also, a few lyrics in the song, ...
In this song they warn each other not to behave indiscreetly, lest people misinterpret their intentions. Neither wants to admit to the other his or her true feelings. Towards the end of the musical the characters reprise the number after becoming engaged, saying "Let people say we're in love."
Oklahoma (Rodgers and Hammerstein song) P. People Will Say We're in Love; Pore Jud Is Daid; S. The Surrey with the Fringe on Top
"Oklahoma, A Toast" – written by Harriet Parker Camden of Kingfisher, OK, in 1905. With additional music by Marie Crosby, adopted as the first official state song of Oklahoma in 1935. Replaced in 1953 as official state song by Rodgers and Hammerstein's "Oklahoma." [207] "Oklahoma Annie" – Monty Harper and Evalyn Harper, 2007. [208]
"I Cain't Say No" is a song from the 1943 musical play Oklahoma! written by composer Richard Rodgers and lyricist/librettist Oscar Hammerstein II, [1] initially performed by Celeste Holm. [ 2 ] In the song Ado Annie Carnes describes her sexual awakening (albeit in highly euphemistic terms) and the conflicts that it brings.